Lauren

650 posts
Lauren "AKA Spirit Fingers" likes to talk about entertainment, politics, the news, the world, you know, the awesome stuff that makes us say, "Holy Crap! That's crazy...but I love it." Got a message, a writing gig, or need a freelancer? Email me at: [email protected] or find me here @CrassLauren.

Opening Weekend: Sucker Punched

A bunch of girls get all punchy, wimps aren’t losers, losers are losers, mostly if they’re big brothers, and peeping your family just sounds like something you shouldn’t do, well, unless you tell jokes in the 1980’s on the Sunset Strip while wearing skinny ties and sport coats with the sleeves rolled up. This was a thing!

This weekend’s movies sound embarrassing.

Sucker Punch

Ok, uh, wow. This is unfortunate. The reviews…well, the reviews say you should see Paul this weekend.

“Sucker Punch” is an epic action fantasy that takes us into the vivid imagination of a young girl whose dream world provides the ultimate escape from her darker reality. Unrestrained by the boundaries of time and place, she is free to go where her… “Sucker Punch” is an epic action fantasy that takes us into the vivid imagination of a young girl whose dream world provides the ultimate escape from her darker reality. Unrestrained by the boundaries of time and place, she is free to go where her mind takes her, and her incredible adventures blur the lines between what’s real and what is imaginary.

What you can expect: Remember that cartoon in the 90’s, The Powerpuff Girls? Yeah? Okay, I think it may be something like that. At least it looks like something like that with a little bit of Annie thrown in. There’s an evil den mother, a bunch of ass kicking orphans, and a dragon. Wait. A dragon? Yes, apparently there’s some sort of evil dragon, because well, why not a dragon? Apparently dragons like being in CGI-laden movies with a bunch of nubile girls running around with swords and pigtails. Sounds like pervy dragons, but whatever. I imagine a lot of slow-motion fight scenes. Lot’s of overuse of that 300 style cinematography minus the spray on abs, and far-reaching, desolate scorched earth, because if you’re going to be a Powerpuff Girl with a sword in pigtails hanging out with dragons and fifty percent of what made High School Musical popular, it better be the apocalypse.

What could annoy: Copious amounts of CGI, just heaps and loads of it. Bad writing, a bad script, and characters milling around in a large spectacle with a lot to do, but not much to say. This can be a problem with using CGI like this. While the images are fantastic and gorgeous, if there’s not enough story built around it, it can just be window dressing. And for those that try to loop something around such extreme visuals it may become confusing and overblown. I fear Suck Punch suffers from both. Also, Jon Hamm is somewhere in this thing, which now seems like a wasted effort. Don Draper isn’t really hitting it out of the movie ball park. He may need a better agent.

Diary of a Wimpy Kid 2: Roderick Rules

Roddy may rule over the “wimp“ but that‘s about all. The reviews say there may not be a three.

In this sequel to 2010’s surprise hit, Greg Heffley, the kid who made “wimpy” cool is back in an all-new family comedy based on the best-selling follow-up novel by Jeff Kinney. (Kinney’s Wimpy Kid” series has thus far sold 42 million books.) As he… In this sequel to 2010’s surprise hit, Greg Heffley, the kid who made “wimpy” cool is back in an all-new family comedy based on the best-selling follow-up novel by Jeff Kinney. (Kinney’s Wimpy Kid” series has thus far sold 42 million books.) As he begins seventh grade, Greg and his older brother – and chief tormentor – Rodrick must deal with their parents’ misguided attempts to have them bond.

What you can expect: A trip back to middle school. Oh, jeebus. Personally, I’d rather get my teeth scraped. I can’t imagine anything I’d like to do less than go back to middle school. Middle school kids are crazy. They’re like little balls of nutty hormones walking around all weird and full of B.O. Nonetheless, this movie is really for kids. The antics of siblings from beloved books has become the newest kid-friendly thing in film. I thought the making of the Ramona books into a movie was cute. This one may still rate on the cute meter, but critics don’t think much else is impressive, but then what are they expecting?

What could annoy: It’s possible the movie tries to be all things to the age group, cute, funny, poignant, and message-y, when it could have picked one of those themes and ran with it. Apparently there’s some bullying type stuff that goes on here. As the viewing public, we really don’t like to identify with the bully. We’re kind of an underdog crowd, so the fact that the story is told from the bully’s point of view could seem odd, but it does allow for the younger brother (the bully-ee) to steal some scenes and lighten the moment.

Indie Screw-Up of the Week

Peep World

Well, somebody thought this was a good idea. Lots more people disagreed.

As the Meyerwitz clan prepares for the 70th birthday of nasty family patriarch HENRY (Ron Rifkin), PEEP WORLD, the expose written by youngest son NATHAN (Ben Schwartz) has gone red hot, making a mess of all of their lives. JACK (Michael C. Hall), the oldest son, is failing in his career and now has to bend over backwards to convince his wife LAURA (Judy Greer) that certain, ahem, salacious events in Nathan’s book weren’t really committed by him. Sister CHERI (Sarah Silverman), a drama queen and struggling actress, can see the PEEP WORLD movie set from her window. Meanwhile, black sheep JOEL (Rainn Wilson), a disaster in slow-motion, plots to turn his life around at his family’s expense.

What you can expect: Family drammmaaazzz. Something you’ve seen before, and probably seen done better. A wacky, dysfunctional family, comes together for a family event, where they get to display their collective wackiness. Cue fights over childish and silly things, lots of venting, lots of blaming, and the well-worn tread of protagonist and antagonist roles. The odd-ball family trope was hugely popular in the 1980’s when people just started feeling comfortable discussing D-i-v-o-r-c-e at the dinner table. A cast that includes, Michael C. Hall, Rainn Wilson, and Sarah Silverman should be full of fun, jokes, mustard colored business suits, and maybe a dead body? No, okay. Maybe not that.

What could annoy: Unfunny jokes about family dysfunction. This is a really bad stand-up routine from 1987 starring Paula Poundstone. There’s really no need to keep doing this unless Zach Galifianakis is in it or it’s a reality show on VHI (Mafia Wives coming soon! This is scary.) It also looks to be a waste of people that we already find marginally funny. I admit that I don’t always get Sarah Silverman’s humor, but lots of people think she’s witty, right? Or do most people think like I do, but want to sound cool when they’re in the coffee shop eating a scone while sitting with their Whole Food shopping bags and hipster sandals?

Anyway, here’s the trailer for Peep World. Judge for yourself, maybe you’ll like it. Maybe you have a real love for Paula Poundstone.

http://www.youtube.com/watch?v=Att6tLpHbHA

Wonder Woman: What’s in a Costume?

Can a costume be the harbinger of doom? Yes, yes it can. The costume is the first introduction to the superhero. It’s the “Hello, hi, nice to meet you. I’m here to kick your ass.” moment of clarity.  It is that defining split-second that reassures the audience that they’re in capable hands, that all is right with the world, and that in no way is shiny plastic wearable or should be seen outside of a garbage scow under the Verrazano Bridge.


Well, we would be mistaken on that last part, apparently.

Behold what the makers of the Wonder Woman television reboot think is acceptable for an iconic super maven.  Uh, yeah. If your first question isn’t, “Who went to Party City and got one of those all-in-one Halloween costume packs that said SUPERHERO GIRL on the front?” then stop reading this, get up right now, and beat yourself about the head with a roll of pork, and then come back.

This is serious business. How could anyone look at those electric cerulean blue, Euro-technotronic pants and not say “Rave in Prague“, or “Extra in a Saw Movie?”  I couldn’t imagine anything worse had they wrapped her legs in dung and cellophane.

I get the thinking. I do really. They wanted to get away from the revealing booty-short Lynda Carter wore in the 1970’s original. I would assume the booty-short was thought to be overly sexualized, and probably not what would be considered acceptable in today’s more conservative times. Huh? Well, that would certainly explain retaining the bodacious bustier then, right? Because that is clearly not sexualized in any way. No, not at all. A red bursting bustier is just the epitome of Amish chic. But okay fine, if you want to do pants, if that is a necessity, then how about you not make them look like the cheapest pair of pantaloons ever created, eh? And even Adrianne Palicki isn’t so convinced this is a good idea. Look at her face! That face doesn’t say, “Wonder Woman, hear me roar.” It says, “I’m not fire-resistant.”

This does not bode well for the reboot. Aside from reports that David E. Kelley’s version of the show will turn the superheroine into some weepy Ally McBeal-esque faction, complete with angst and odd-ball characteristics, now it looks like we can’t even depend on a decent costume to save the show. Those of us who would like to check it out to see for ourselves are fearful of what the David E. Kelley Plastic-Legged Wonder Woman, on NBC, the ruiner of most things on television, will bring to the table in concept, writing, and effects. See how much rides on a good costume?

After all, the right costume has made or broken a heroine.


If you’re talking about slinky, sexy, cunning, and just a tad bit vulnerable, then these classic incarnations of Catwoman make the grade every time. A black catsuit and a mask was all this minx needed. In a boy’s world whenever these sirens popped up on screen they stole the show and took hold of the story just by their presence. Whether or not the new Wonder Woman will join their ranks remains to be seen. Doubtful.


Conversely, if a terrible costume is any indication of what the movie itself will produce, then the recent offerings of Catwoman and Elektra should be fair warning to any and all that attempt to step into the realm of crime fighter. I think it’s actually been proven that if the first stills come out and the costume receives bad reviews then so goes the movie. I can remember both responses to these as being pretty abysmal, and yup, the movies stunk up the screen like a festering bowl of rotten eggs hidden under the ass of a baboon.

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Once you start getting into the realm of flash and you leave simplicity behind, the total embodiment of the project can become campy and cartoonish, and the easiest identifier is a costume that just doesn’t work, or worse takes itself too seriously, and possibly too literally.

If the whole point is to add a little humor, and some light-hearted fun to this character, then perhaps something with a little more balance, and a little less eye-gobbling blue, would have been better, and less of a joke. I can’t fathom how this costume will work on any level that isn’t a spoof on the general awfulness of most female superhero costumes. I can see her running awkwardly in this. Urgh. Flying in the now absurdly comical invisible plane. Ooomph. Attempting to talk tough to bad guys. Yeesh.  I cringe….I just cringe.

Let’s just hope there’s something else left to salvage about this television reboot (Cary Elwes and Elizabeth Hurley joining the cast! No, that’s probably not it.), and that burning that costume is as easy as it looks. If nothing else, NBC, take a look at what GeekNative.com found! Not great, but better! At least it doesn’t make me want to punch your design guys with a booty-short, well, until I think about David E. Kelley, and then that itch returns. Stupid.

[Top Image via The Daily Telegraph]

Game Over, Man! Big Love Post-Mortem

HBO has finally parted ways with its polygamy-based show about love, faith, duty, sharing, and some other spiraled into crazy things that mostly left us shaking our heads and wondering whether it was worth it, and undoubtedly, why it was that we watched this show for five seasons.

When the show first debuted, before TLC’s bandwagon-hopping with their romantic comedy called Sister Wives, and the real life situation regarding Warren Jeffs, and most recently the removal of several compound children by Child Protective Services (Yoikes! So much ewwww.), this little show settled in to test the American view of family. What it means. And what sorts of limits we put on our own feelings, our jealousies, our acceptances, sex, and lastly, commitment. Over the course of five seasons many questions were raised about all of these themes. Did the final season and the finale answer most of them? [Stop reading here, if you’re worried about spoilers.]

Well, yes and no.

No one character escaped persecution or emerged with clean hands at the end of this final season, and each season leading up to the last created more questions than answers about who these three people at the epicenter of Big Love really were.

Nicki: The Puritanical Princess

Nicki, played expertly by Chloë Sevigny, was so wholly unlikable. She was manipulative, mean, nosy, strange, pious, unyielding, and just downright aggravating. Feh! to the absolute max. There were no limits to what she would do to get what she wanted. No amount of sneaky crap she’d conjure to hide her mistakes, and when push came to shove, it was always Nicki who made things ten times worse. Just, urgh. I never, ever, understood how they put up with her. What was the appeal? Her ties to the prophet? Her fashion sense? Her screeching “me, me, me-ing?” At some point, we find out that she was the product of abuses on the compound, and that she’s damaged in a way all the progeny of Roman Grant seemed to be.  This was expected, no? The assumption, I suppose, was to make us feel sorry for her, and create some deeper understanding, mostly to uncover what made her little rabid mind tick. This didn’t help much, but at least it gave us more to focus on other than her scheming and lying…but not much.

Margene: The Child Bride

The little naive starry-eyed nymph was just a little too much poured sugar, right? In effect she was much like a large child. She was often chastised and scolded by Nicki and Barb. And given her youth and vitality, she was often relegated to the “bearer of new fruit” role in the marriage. Just how many babies did Margene have? We finally find out in the season finale when Bill says three. I would have just assumed nine. Seriously, I had no idea. Whenever she went to her house and emerged, a new infant was attached to her body in some way. It’s no wonder the writers decided that not only will Margene be a child, bear children, think like a child, but now Bill also married her when she was sixteen! Brilliant! No, crazy, desperate and a stupid, stupid way to add false-drama to this thing! Why did they do this? As if Margene and all her infomercial oddities weren’t enough to annoy the clapboard off a trailer, now they add statutory rape to the wacky stew, because watching her pout as an adult in every episode just wasn’t enough. We really had no useful purpose for Margene if you can’t tell.

Barb: The Good Wife

Good, kind, forgiving, Barb. Barb was always my favorite. Jeanne Tripplehorn’s take on her was excellent. She never compromised her position in the family, and seemed to be the one with the most growth. She was always reaching to understand herself and what she ultimately wanted out of her life, her faith, and her relationship. She wasn’t a large child like Margene, or a damaged soul like Nicki, the more we came to understand her. Barb was someone who initially didn’t believe in polygamy, but found herself led to it, and then embracing it, perhaps selfishly, perhaps out of necessity. Is this a flaw? Perhaps, but one she tried to carry with grace. Nonetheless, I always thought Barb was too good for Bill, and his weird choices for the other wives. It seemed totally incongruous that Bill would choose the ambitious, independent Barb, and also choose Nicki and Margene, two of the neediest people in his family, next to his children.

Bill: The Fearless Leader

Bill’s a jackass. He’s always been a jackass. He’s a selfish, unforgiving, unfaithful, egotistical blowhard who’s willing to sacrifice just about anyone and everything to preserve the principles he finds important. To two of his wives he’s more father figure than husband. To the one he seemed the most devoted, he sought to diminish her. And let’s not forget Anna, who he basically just had an affair with, wanted to conveniently marry, and then knocked up. Of the four it looks like she, out of them all, came to her senses and backed away from the damaged clan after observing all of their feeble, desperate lives.

Throughout the show it became more evident that Bill was striving to be more and more Roman-like. He wanted to be a prophet in his own way, wheeling and dealing, and trading in on his friends and family in order to create success. In the end, while he rails against Albie, that distorted, sad, little man, Bill has just as much ego, and seeks just as much power to push forth his personal agendas. In his own way, he is Albie but with a different flock of followers.

 

What Did We Learn?

The Power of Three

As much as the focus began to creep away from the three women at the heart of this show, and center more on Bill and his ever reaching wants, the finale brought the focus back to the mother, the purist, and the free spirit. By the end, they are all drifting in new directions, two away from the confines of the family, and one attempting to gain what she always desired, more significance, and a step out of Barb’s shadow, but with her blessing. The scene where Nicki tells her big revelation to Barb that she knows she’s difficult is hilarious in that, we along with Barb, are saying, “I know.” And Margene, the oddly constructed dreamer, is finding what she was searching for, growth outside the family, but still maintaining her roots within it. And finally Barb now fully embracing and accepting her new role as priesthood holder and leader, can rely more on Nicki to run the home, without usurping the other in Bill’s eyes.

The Kids Are Alright

George Clooney returns to ER Sarah returns happy with baby in tow. Ben and Heather have worked out their fidelity issues and have married, sans Rhonda. No sign of Teeny, but we’re probably to assume that she like her siblings are thriving and doing well, and probably not embracing the tenants of polygamy, because just why would they put themselves through that again? There’s no word of what’s happening with Margene’s nine children now that she looks like a pixie and is sailing on the Carnival Cruise Peace Corp, but mostly we’re supposed to infer that they’re being raised by Nicki as if Marge were a wayward teen mother who’s now off to college.

Someone Pays Bill’s Check

Because HBO likes sudden, unexpected, surreal deaths (See: Omar and The Wire), Bill doesn’t die the way anyone could have predicted, at the hands of Albie, or in a car crash while singing hymns, or from a massive heart attack while on the Senate floor, no he’s killed in a random, odd way. Some neighbor has just had enough, you see? Enough of people doing things for him, like sodding his front yard. That’s as good a reason as any. So Bill is shot, and he’s now looking over his friends and family, including his mother and father who’ve gone to the great beyond like a scene from James Cameron’s Titanic, and the neighborhood he changed with his three connecting houses, two cats in the yard, yadda, yadda, and a dream of polygamous acceptance.

A Clean Finish

All in all, I don’t regret sticking with it to see where it would go. The show brought us some colorful characters, and a lot of interesting moments. Do I think the show spun out of control a bit? Yes. In the same way Weeds has driven off the side of a cliff and into a landfill? No. Was there more than a little light shed on the Mormon faith, the abuses that reside in some of these compounds, and the intricacies of polygamy. For a layman, perhaps. But for someone living the life, I’m sure Big Love barely scratched the surface. Which is to say that in the end, for all that has occurred and was brought forth in five seasons, I think Big Love’s ending was a bit too tidy. Those lingering questions and sturm and dang that went along with living the polygamous lifestyle were neatly wrapped up. With Bill’s death it seemed that all the family’s troubles including, prosecution, excommunication, ousting from the community… just went away. Poof.  In that regard, I guess you can say everything really was all Bill’s fault. Told you.

Monday Box Office Report: Limitless Ambition

Drugs make you cool! Geckos are great at law enforcement. We can win the alien apocalypse. An old Lincoln works as an office. Seth Rogen’s comedy can save a movie! Paul Giamatti will wrestle lots of money right out of your puny hands! These are all lies.

Here’s the results of some of the millions you shelled out this weekend, and some other stuff you won’t see ever.

1) Limitless — $19 Million

So Bradley Cooper and his pocket full of magic beans tops the box office this week. And that just makes total sense since it’s not everyday in a movie some mousy, drab, rumple-person goes from geek to chic. That’s not something that ever happens in movies nowadays. Why, not since Melanie Griffith chopped off all her Jersey style hair-frizz, grabbed a pair of Reeboks, starched her shoulder pads, and stole a dress from Sigourney Weaver’s bony-ass has this happened in a movie. Nope. Not ever at all. Bradley is charting new territory by taking off his glasses, undoing that uncomely bun, shaking out his lustrous mane and becoming the va,va, va, voom we all hoped he’d be. Mostly, right? Maybe Robert DeNiro packs him a lunch in a cool lunch pail at the end of this thing, right before he stumbles into a real office.

2) Rango — $15.3 Million

In some sort of greasy hair-battle, Bradley Cooper managed to beat out the original oil-follicle Johnny Depp. Not that Rango isn’t an awesome movie. It so clearly is. But in order to sustain dominance, the viewing public needs to actually see an unkempt man parading himself in front of a movie camera with the hopes that he’ll either 1) turn into a heartthrob later on, or 2) rely on past 1980’s hotness to carry him through while he dresses up in various Halloween costumes. A Hawaiian be-shirted animated Gecko can only work for so many weeks until the audience is clamoring for more ratty hobo-ness. And if Johnny Depp can’t deliver, than well, they’ll just look for the next best thing — B.Coops serving Dim Sum and working on Wall Street until Harrison Ford DeNiro saves the movie by trying to steal his magic beans and his miracle shoulder pads.

3) Battle: Los Angeles — $14.6 Million

In with a bang, out with a farty whimper. The reviews of “blockbuster for the ages,” Battle: Los Angeles have not been good. Is it this year’s over-hyped Skyline? Maybe. After a decent opening week — yup, that $36 million got punched in the face reducing it by about $22 million. That’s a whole lot of people who decided they’d rather clip their toenails, or clean their gutters, or sew button eyes on socks, than go see Lt. Vasquez and Harvey Dent play shaky-cam Stratego with a bunch of alien-borg cockroaches or whatever the alien beings are now. There’s probably just as much satisfaction popping in a VHS tape of M. Night Shamaliarlans Signs and just watch that one scene with Joaquin sitting in the closet while the alien struts in an alley i.e. the only cool part of that movie. Simplicity!

4) The Lincoln Lawyer — $13.4 Million

The actor responsible for such enigmatic greats as Ghosts of Girlfriends Past, Fool’s Gold, and Failure to Launch, failed to financially outdo these less than well-received films, which obviously premiered amid a world of McConaughey hypnotism. Really. In the past he must have used one of his shirtless enchanted nipples as a beacon luring unsuspecting virgins to various palaces of cinema with promises of a sip from his sweat-filled armpit of love. There’s really no other explanation. The spell must be broken, since his lawyer doing lawyerly things from a Lincoln’s backseat riddled with Wendy’s bags and Marisa Tomei’s Oscar didn’t do the same amount of business this weekend. He may need to unleash the unencumbered pectorals yet again. No, we really don’t mean this.

5) Paul — $13.2 Million

While Seth Rogen is probably stewing in Judd Apatow’s pool surrounded by a mountain of chicken fingers, Simon Pegg and Nick Frost are having the best week ever! Shaun of the Dead and Hot Fuzz debuted at $3.3 million and $5.8 million, respectively. So for these guys $13.2 Million is like starring in Star Wars, or Battle: LA! Perhaps they’ve finally made it. Maybe now we Yanks will see them as more than just a couple of witty blokes who’ve mastered the shock-faced close up! It’s certainly possible. We like that Ricky Gervais an awful lot don’t we? Uh, well, okay. Maybe not everyone likes Ricky Gervais, but certainly we like Pegg and Frost better than Rowan Atkinson (Stupid Mr. Bean!) or Gordon Ramsey (Evil Mr. Arseface!). That’s something to aspire to — continue being cuddly and American-friendly, and not a cunty-pisser. Good luck, gentlemen.

Honorable Mention

Win Win — $154,000

The limited release indie didn’t make a whole lot of bank, but the reviews have been strong and Amy Ryan is in it, so basically it doesn’t matter. The King’s Speech gained only marginally better reviews and look what happened there? And in a fight we think Ryan could take on Helena Bonham Hair Nest of Algae Carter. That is if she doesn’t use her crazy person super strength, and she leaves her mismatched-shoes-of-power home for the brawl. Support your local indie flick, after all, these are the things that win awards. What? You thought comedies and science-fiction did? You silly aliens.

Opening Weekend: Out On a Limb

It’s hard to fit in. You would think that as a pint-sized alien with a very adult sensibility it shouldn’t be so hard, right? Well, that’s obviously not the case if you like eating raw birds, or showing your junk to a couple of Brits in a Winnebago. And what about that misfit guy who gets the gift of a lifetime and is now suave all of a sudden? Has he ever heard of “Never making a deal with the devil?” I would think that’s part of taking the “I’m now awesome” drug 101. And well, no one ever likes lawyers. Those guys are just jackals in loafers. But hardest of them all is fitting into high school. That’s the worst. Well especially if you look like a young Jeff Spicoli. That’s just gotta be extra hard.

Let’s see how they all make it work.

Paul:

So far the reviews aren’t in the toilet! Success. Well, at least if you’re Seth Rogen.

Simon Pegg and Nick Frost (Hot Fuzz, Shaun of the Dead) reunite for the comedy adventure Paul as two sci-fi geeks whose pilgrimage takes them to America’s UFO heartland. While there, they accidentally meet an alien [Seth Rogen] who brings them on an insane road trip that alters their universe forever.

What you can expect: More aliens. EVER MOAR! Well, okay. Obviously our fascination with space and the naked men that live there hasn’t abated. No matter how many times we see aliens we always find them to be interesting, I guess. But now this one tells jokes! Seth Rogen will be witty in an off-color way. He’ll say some crass things, and there may be some significant toilet humor. This is Seth Rogen we’re talking about. Some guest appearances by the likes of Jason Bateman, Kristin Wiig, and Bill Hader in addition to Peg and Frost will keep the funny going. We suspect there will be a few heartwarming moments here. Not E.T. heartwarming but enough for the viewer to say, “Aw.” And that may be enough.

What could annoy: It’s another alien movie. With two alien movies opening back-to-back, moviegoers may have to choose, and it’s possible that Big, Bang, Boom, will still win out over small duck out of water alien story. And well, Seth Rogen. Not everyone finds his sloppy-guy humor funny. It’s like the second generation of Adam Sandler, and that dude’s movies are pretty unwatchable. Here’s hoping Seth keeps it all in the safe zone and leaves more of the silly, less urbane comedy to the Sandler and James duo. We have a feeling Wiig, Hader, and Bateman will be natural scene stealers. Let’s hope they use their talents in the best way possible.

Limitless:

Well apparently there are limits, and these hover somewhere around mediocre.

Aspiring author Eddie Morra (Cooper) is suffering from chronic writer’s block, but his life changes instantly when an old friend introduces him to NZT, a revolutionary new pharmaceutical that allows him to tap his full potential. With every synapse crackling, Eddie can recall everything he has ever read, seen or heard, learn any language in a day, comprehend complex equations and beguile anyone he meets as long as he keeps taking the untested drug.

What you can expect: Much, much posturing by Bradley Cooper. A frenzied roller coaster of a ride that changes aesthetically based upon which state Cooper’s character is in. DeNiro will attempt to give the suspense thriller its gravitas, and Abby Cornish its heart, but it really is all Cooper’s show. From the slick and flashy to the downtrodden and morose, it will be up to Cooper to convey exactly what the character is thinking and feeling as the levels go from mid-range to heightened and then crashing back down to reality.

What could annoy: There may be too much suspension of belief involved, and Cooper’s character may be too slick and stylized to work on a few levels. It’s possible the notion of using drugs in such a carefree manner could feel a bit irresponsible. In addition, where the movie could have more of an impact, and really dig a bit deeper into the aspects of the drug, it’s possible the movie glosses over those parts and uses Cooper’s penchant for comedy to carry the moment.

The Lincoln Lawyer

Hey McConaughey may have a bit of a hit on his hands! Who knew? Well, that’s a reason to wear a shirt, right?

Mickey Haller (Matthew McConaughey) is a Los Angeles criminal defense attorney who operates out of the back of his Lincoln sedan. Haller has spent most of his career defending garden-variety criminals, until he lands the case of his career: defending Louis Roulet (Ryan Phillippe), a Beverly Hills playboy accused of rape and attempted murder. But the seemingly straightforward case suddenly develops into a deadly game of survival for Haller. Based on the best-selling novel by Michael Connelly.

What you can expect: Richard Roeper says that it’s a “return to classic court room drama“. Wow, when was the last time we’ve seen that outside of NBC’s cancelled Law & Order series? Surely not in a film in a long time. Viewers may recall that when McConaughey was at his best, before all the romantic comedies wherein he played the same swaggering southern cad, he blew audiences away as the passionate lawyer in A Time to Kill. If he’s bringing half the talent he displayed then to this offering now, than that’s a formula for success.

What could annoy:
The screen adaptation of Michael Connelly’s legal thriller could  be a big bite for the movie to chew. There may be a few formulaic plot points and a slight level of predictability that could belie the efforts of Matthew McConaughey’s work, but that isn’t the large consensus. So far the critics are lauding the efforts of a chest-covered McConaughey, but very little at this point has been stated about the acting of Cruel Intentions star Ryan PhilliPeePee. The double Pee is obviously trying to jumpstart his flagging career, and the coupling with McConaughey could help with that…that is if moviegoers can overlook all the duds McConaughey has put out lately and go see this film.

Indie Pick of the Week

Win Win:

The reviews so far are pretty awesome.

Struggling attorney Mike Flaherty, who volunteers as a high-school wrestling coach, takes on the guardianship of an elderly client in a desperate attempt to keep his practice afloat. When the client’s teenage grandson runs away from home and shows up on his grandfather’s doorstep, Mike’s life is turned upside down as his win-win proposition turns into something much more complicated than he ever bargained for.

What you can expect: An emotional journey, and a good story to boot. Seems to be a quiet unobtrusive movie, but buoyed by heart and a wealth of compassion. There are comedic moments that roll off the tongue of Paul Giamatti with ease. He can play the loveable schlubby guy like no one else in Hollywood. Newcomer Alex Shaffer appears to do more than hold his own. He approaches the role with the same vigor as he does wrestling, with zeal and focus. Amy Ryan is always fantastic, and looks to do more of that here. All in all, a great showing by everyone involved.

What could annoy: Watch the trailer. If that doesn’t pull at your heartstrings, you were made in Steve Jobs’  laboratory.

Hollywood’s Best Laid Plans: Be Afraid, Be Very Afraid

Hollywood has some truly terrible things in store for us.  There’s really not a whole lot to say. Brendan, take it away…

Brendan Fraser’s Goof-Clap Looks Better Than This Movie: The Mummy star will be in a fish-heist movie. We can’t even begin to imagine what a fish heist movie is. Stealing fish? Hijacking fish? Fish stealing jewelry? Will he be a fish in this movie? Will the fish be him in this movie? So many questions. We imagine once you’ve done Furry Vengeance there’s no going back. None at all. It’s great that he’s embracing his achievements. We’re not even going to elaborate about this thing except to say that there’s fish, gangsters, and it’s going to be called Whole Lotta Sole. ’Nuff said? Yes, for forever.

Daring You to Hate it Again: The Daredevil reboot is coming. Yes! Ha! That’s hilarious. What the hell is Billy Zane doing right now, because The Phantom should be rebooted too! It should be a double feature. When you go to the theater you should get an ant farm or some other awful thing for coming to see these two reboots together. We just think that no other inspired filming could happen. Director David Slade of 30 Days of Night and The Twilight Saga: Eclipse has signed on to helm this fantastic voyage into the recent past. Awesome. We’ll just forget the first movie ever happened. No, no we won’t .

You Need a Director, Bub: Darren Aronofsky, director of Stupid Dancing Swan Bird, has called it quits on another film. Last week we reported that he dropped out of Robocop: Geriatric Gun Metal, because the reboot of this movie is just as useful to the viewing public as say a Weekend at Bernie’s prequel. So, in an epic move to shun all ridiculous crap, Aronofsky has decided he has better things to do than watch Hugh Jackman comb his sideburns in The Wolverine remake, mostly like bide his time until another Oscar worthy script lands in his lap. Are we all that interested in Wolverine? Who are these people who desperately need to see Hugh Jackman smoking a cigar, wearing leather, and growling like a bear? Oh.

I’m Sure Jolie Doesn’t Care: So they’re rebooting Tomb Raider. Yep, that movie that was out a few years ago starring Angelina Jolie’s horrible British accent will get a reboot. The only reason we can fathom is because Jolie is now in her thirties, and is no longer a young ingénue. According to the studio, GK films, the goal is to “create daring new adventures for the young and dynamic Lara Croft.” So as mentioned, we’re sure Jolie doesn’t care, but seriously way to be dicks, GK.

American Sigh: Universal Pictures is making a fourth American Pie movie. Well, it was just a matter of time wasn’t it? No, no not at all! There’s really no excuse for this. How many of these ever need to be made? We understand Jason Biggs is probably sitting in his condo not totally sure where he went wrong. Somewhere between smushing a pie and landing in that atrocious Kevin Smith movie with the Affleck and the J.Lo., which would be enough to make anyone question their destiny, but for that to manifest itself in another American Pie movie just seems like the work of Direct-to-DVD Gods who’ve been gifted one shot at a feature film, and yes, this is what they chose to go with…blowing a trombone out its ass and gluing its hand to their nethers. Brilliant.

Baywatch Movie Currently Only Living in Ivan Reitman’s Head: And hopefully it won’t leak out, run for the door, and find its way to a studio. Reitman sounds pretty emphatic about what a full length film about boobadocious lifeguards, and the men who suck in their stomachs running beside them, will be. This mostly sounds like an idea dreamt up after a poker game full of hoagies and stogies in an unfinished basement in Cleveland. This does not sound like the idea of a prolific filmmaker who’s serious about his movie projects. We wish him luck with that whole Ghostbusters thing and getting Bill Murray to strap on a proton pack again, but let’s leave the Baywatch film to the American Pie folks, ‘kay? Focus, Reitman.

LaBeouf Gets a Little Horny: The stuttering Monchichi despite anyone watching the first two Transformers movies has landed the title role in an adaptation of Joe Hill’s novel Horns. He’ll play a twenty-something who wakes up after an all night bender with horns growing out of his head. People will feel compelled to tell him their darkest secrets, he’ll act erratically, and then his girlfriend is murdered. Guess who’s the prime suspect? Yep, ole “No, no, no. No, no, no, no, no,” Shia. He’ll be hunted. Certainly. Well, if not for this than definitely for signing on to play a small hairy monkey-man named Chaka in Michael Bay’s claymation psychedelic comedy Transformers and the Space Sleestacks.

Casting News:

The Hunger Games gets an Oscar nominee. Jennifer Lawrence fresh off her gripping turn in last year’s Winter’s Bone has landed the lead role in The Hunger Games. She’ll play Katniss, the girl who joins a survival contest to save her community. Lawrence was the clear frontrunner beating out Hailee Steinfeld and Abigail Breslin for the role.

Hot-loins Tom Hardy will star in the new Mad Max: Fury Road movie. Filming isn’t set to begin until January 2012. The project starring Hardy and Charlize Theron (Where has this chick been?) has been delayed, but for Hardy we’re willing to wait.

Drew Barrymore
will take on her second directorial project with an adaptation of Liz Tuccillo’s novel How to Be Single. The romantic comedy will most likely be filmed in the same vain as He’s Just Not That Into You, a movie we didn’t really like, and really don’t need to see again in any format, but eh, we like Drew Barrymore and Whip It was pretty cute.

Brie Larson who plays Toni Collette’s rebellious daughter on The United States of Tara has landed the role of Molly in Sony Picture’s 21 Jump Street movie. Jonah Hill, Channing Chips N Dip’ems Tatum, and Ice Cube will also star.

Another week chock full of people doing awful things. We need Tom Hardy to save us. He will save us, right? Mel Gibson’s poltergeist of a career won’t stop him will it? We’ll need Jodie Foster in a proton pack.

25 Seasons of The Real World — That’ll Do, MTV. That’ll Do.

Well this thing has become trash. And not trash in the way The Jersey Shore is “trash.” There are no misconceptions about what The Jersey Shore is supposed to be. Social experiments aside, The Jersey Shore is about self-aware individuals who are content in their lifestyle, their partying, their day-to-day idiocy and free-for-all antics. It’s not about the meshing, diversity, or growth of the individuals involved. This is what The Real World once brought to the table.

Now the lowest common denominator of themes in reality television has taken root in this once ground-breaking show. All the things that are a quick recipe for ratings — alcohol, partying, sex, and fights, often some variation of all three done simultaneously, are depicted season after season. When we once could predict who could potentially clash due to their backgrounds, faith, sexuality, culture, diversity, values, or loyalties — now it’s just about who gets so drunk that they show themselves to be a supreme dick — or who is so emotionally damaged that it’s a crapshoot whether or not the show will be cathartic, or a trigger for some unpredictable epic meltdown. Unquestioningly, MTV seems more interested in pushing someone to the brink of insanity and less concerned about a dialogue that works to close gaps between people. It’s pretty disheartening to see such a fall of a once prolific show and dare I say the grandfather of all reality shows of its ilk.

What’s Going Wrong?

The people. Yes, it’s the people. No matter what ethnicity or background, MTV has decided that it’s less lucrative to have interesting, dynamic people on the show. Now it’s best to have similar carbon copy clones of the same person just walking around in different skin. Remember how they would spend time unveiling the layers to each person — who had a job, who was in school, what their home life was like, what their hopes, dreams, and fears were? Yes, well, now it’s one big mish-mash of “Woo-hoo! I’m going to hook up, pass out, get arrested, and then go on the Challenge series and win money!” It’s also become a game of trying to guess who the mystery madman is. Who the abuse victim is, and what two potentially damaged souls are going to hook up and have an odd, abusive, co-dependent relationship. (They’re repeating this trope with Sammi and Ron on the Jersey Shore and we’re sick of that too.)

But The Real World was supposed to be better than this. After all, this was the show that discussed issues of race, homophobia, sexuality, AIDS, and substance abuse. And it’s not as if there aren’t still thought-provoking stories to tell, and unique young people out there who are able to tell them. MTV has just gotten lazy, and has decided that the writhing horde is only satisfied with drama, abuse, and drunkenness. Let’s take a look at what we’ve got so far with the 25th season of the show.

Adam — Self-ascribed “Bad Boy.” We’ll call him poseur-douche. Yah, yah, he did time in Juvie. Which is his current claim to fame. He can’t wait to tell each cast member this little gem. MTV has identified him as the loose cannon, so we expect drunken flip-outs, fights, possibly an arrest, and basically the alienation of the entire house. But, not to be outdone, MTV has also given us someone with control issues when it comes to women. He’s stalky and manipulative. All signs point to abusive tendencies.

Nany — Lover of self-ascribed “Bad-Boys.” She enters the house with one for a boyfriend back home. She’s drawn to Adam — of course — despite her plaintive cries that she’s on The Real World for more independence, since this was something that she was not getting in her current relationship. Great. Previews show her getting into a negative cycle with Adam where she basically becomes his co-dependent apologist. Fantastic.

Dustin — Boyish frat boy. Look up all things you’ve seen ever about boyish frat boys and you’ll find Dustin. He’s had a bit of a troubled home-life, but this has become par for the course for MTV. He’s already displayed some possessive tendencies along with his easy-going charm, and his liberal use of hip-hop speak when angry is just comical. He has a secret. He’s not gay per se, but he did do a little experiment that involved a house full of attractive young men and a continuous web cam. This will probably bring up questions about his sexuality…but he’s probably not gay, just attention seeking.

Heather — Pretty, blonde, petite suburban good-girl — but also a huge party girl. She’s already piqued the interest of Dustin and lands squarely into the first fight of the season between two male cast-mates. She will most likely enter into a relationship with Dustin which may cause problems — problems which MTV loves. Prepare for grainy hookup footage of Dustin and Heather, and the potential for uncomfortable moments down the road. Cue crying in the confessional and a punch through a wall.

Michael — Small town guy with views on faith, politics, science, religion etc. He’s a Libertarian. Should be interesting, right? Well, he tries to discuss some of these things with his cast-mates and their response…”I dunno, dude. Let’s do shots!” We expect Michael, who has some demons in his past, to get frustrated quickly, and perhaps show the roommates more about himself than they anticipated.

 

Naomi — MTV lists her as a “Hispanic firecracker.” Um, okay. I assume that should say it all then?  Of course there’s more to her than that, but in the first two episodes they’ve shown very little with the exception of her saying that she didn’t understand what Michael was talking about during one of his monologues. Oh, and there may be a pregnancy scare in Naomi’s future. Not something we’ve seen on the show since Tami Trishelle in Vegas (Uno). We’re not excited.

Leroy — The ladies man who walks into the house and sizes up the bedroom choices for premiere hookup ability. Hmm, yes. He’s on the show for one reason and one reason only so it seems. We don’t think Leroy intends to grow and learn from this experience with the exception of things that have to do with a carnal nature. He’s already led the stampede to the hot tub, instigated a sticky truth or dare situation, and by episode two he’s one of the first to hookup with an outsider. Here‘s to hoping there’s more to his story for whatever that’s worth. Also, he’s the one Naomi has the pregnancy scare conversation with, so there’s that.

So many, many similarities to cast members of seasons from the last few years, right? Sure, it seems that MTV is putting their eggs into the Jersey Shore basket. But instead of trying to make The Real World either compete with that or try to outdo it, perhaps it’s just time to call it quits with this season, eh? It’s no longer fun or rewarding. Given the current dynamic MTV employs, there really isn’t any new story to tell here, and it doesn’t seem that they’re looking to add anything new to the genre. And if The Real World is supposed to be a small microcosm of what is going on in the lives of young twenty-somethings, than that world just seems like a hollow, depressing place to be, and so very narrow in its thinking.

There are a number of shows that depict young people proliferating in the superficial, sensational spectacle that is reality television, but if you’re going to offer the world Jersey Shore, which is unapologetically debased on purpose for our entertainment, shouldn’t you also offer the world a point of view that highlights the better parts of being young and twenty-two?

Crass Gossip: Cheeky Wednesday

A wedding, a peen, potential rehab, crying over boobs, spurs, and daddy’s media meltdown! Well, it must be Wednesday’s gossip, chock full of despair and body parts. Cover yourselves up, for goodness sakes.

1) So instead of Stifler’s mom, maybe it was Stifler’s bong? American Pie star Seann William Scott entered a treatment center on Tuesday for “health and personal reasons,” which sounds a lot like “exhaustion,” or “undisclosed illness” or whatever people do right before “living in the celebrity rehab house” is listed next to their name. [People ]

2) Ryan Phillippe’s ex-wife will maybe, probably get married next weekend. The mother of Ryan Phillippe’s children will wed Hollywood agent Jim Toth at her Ojai Valley home. 100 guests are expected to attend, but it’s unconfirmed if Ryan Phillippe, who was once married to his Cruel Intentions co-star, will be in attendance. I imagine this is all Ryan Phillippe ever wanted throughout the duration of his marriage — acknowledgment for his copious achievements. (This is all snark. There is no love for n’er-do-actor, Ryan PeePee, as you guys call him.) [Radar]

3) If I were Anderson Cooper‘s peen, I’d be insulted that Playgirl is only offering $10,000 for pictures of me. You would think that the most highly coveted, closeted, collectible shot of a silver fox peni would at least get a cool $100,000. Right? Instead they’re offering ten grand to anyone who can get a naked shot of the Coop’s little coop. So Anderson, I’d maybe get a bouncer and a velvet rope for those intimate moments in the john. VIP takes on a whole new meaning. [Popeater]

4) As long as we’re talking about nakedness we should talk about Vanessa Hudgens‘ nakedness, or no, not ever at all. What goes on with these young people and all the random frequent nakedness? Is there an age that just says, “Now the entire world must see my boobs. It’s World Boobs day!” Does this happen? I think it does. So, stop it, young boob flashers. Joe Francis doesn’t need the validation. Thanks. [Popeater]

5) Eva Longoria is still crying over that spur in her hide. She says the break-up has been “hard,” “very hard.” I say buck up Eva, you’re amazingly hot and while I can’t encourage another season of Desperate Housewives, you can do better than a cheating ball player. Just ask all those other Basketball Wives on the VH1 Reality Cheetos channel. It’s like the graveyard of infidelity over on that show, but at least on yours, Teri Hatcher just falls down a lot. She does, right? Isn’t that show full of pratfalls and gardeners? [Allure]

6) Flipped their wigs. So the husband of Teresa Giudice of Real Housewives of New Jersey fame, Joe Giudice, got into some sort of brawl in the Dominican Republic along with the two sons of fellow cast member Caroline Manzo. The beat-down resulted in fractured limbs and lacerations of two patrons not connected to the show or the “Prostitution Whore” cast-mates. Hmm, Dominican Republic, Real Housewives of NJ, and a beat-down…is everyday an Al Pacino movie for this group?! Well, yes. [Radar]

7) This is just a weird one. What do you do when your baby mama, who’s also your brother’s baby mama, has been living in your mother’s house for nearly twenty years and it’s just dawned on everyone that this situation is a bit awwwwkward? Well, you try and get her evicted, naturally, because what you really needed is a little separation (years ago), and maybe not to have your kids be siblings and cousins all at once. Confusing. Well, this is what’s happening with Jermaine and Randy Jackson whose baby’s mama (plural) has been living in Katherine Jackson’s LA compound. [TMZ]

8 ) Rihanna is hashing out her daddy issues in the new issue of Vogue. She’s upset her father gave up details about her to the media. And to that I introduce you to Michael Lohan. It could always be worse. As an aside, girl has an awesome body, and the dress is to die…but not digging the Crazy Couture-a-Circus Ronald McDonald ‘do. Enough.[Vogue]

9) Soulmate of the Biebs, Selena Gomez, giggled her way through a Z100 interview where she discussed the hordes of haters who’ve cropped up due to their gummi-bear inspired coupling. She says, “It hurts, it really does. I don’t feel like I’m doing anything wrong.” Aww, Selena. Pout-face. Sniffle-giggles. It gets better. Wait until you break up and he starts dating Sean Penn’s current girlfriend, Scarlett Johansson! Yes, this is really happening. Ew. [Z100 New York ]

10) I can blame Ke$ha Zingbats for not having any talent, for having one of the most annoying songs ever recorded and played ad nauseum for an entire year, and for basically appearing out of nowhere and doing virtually nothing yet becoming inexplicably popular, but I can’t blame her for possibly making a poor bikini choice. After all, you get in that room with the florescent lighting with a few of your girlfriends and perhaps a little tequila to steel your nerves and you emerge with something people are too polite to say is horribly, terribly wrong for your body shape. It happens to the best of us. This is why Ms. Fingies takes her mother with her during the bathing suit trials. Moms always gives the truth…brutally. [Popeater]

[Top image via Entertainment Tonight]

Why the iPad 2 is like the Cabbage Patch doll

So the iPad 2 was released Friday, and people have gone completely apeshit-bonkers. For some it appears to be literally like divinity in 9.7-inches. You would think no other invention in the last 200 years has rivaled that of the iPad 2, I’m talking electricity, television, Nick Cage’s hair system…nothing. And like the flock of sheep we are, people slept outside for days braving torrential downpours in some areas, and waiting for hours with lines wrapping around entire city blocks in others — some not deviating from the plan even when the moderately priced iPad 2s sold out, undeterred, they proffered up the big bucks and paid for the more expensive versions — all to say they “got it,” like Veruca Salt clutching desperately to her goose with the golden eggs.

According to CNET, there is an art to waiting in line, and it has become a business. There were “runners” from other companies who were paid to stand in line and procure one of the hot items, as well as a group who planned to buy the devices for a single individual who would then sell them on the “gray market,” where they would be sold at a premium and in places where the device is not yet available. Nifty? Cheating? Both?

And all this for what exactly?

The iPad 2, which CNET has given a four-star rating in its review, is a refinement of the first-generation device. It’s thinner, it’s got a faster processor and better graphics chops, and it’s the same price. It’s also got new features like dual video cameras and compatibility with new accessories like a neat cover that attaches to it with magnets and an AV cable that can mirror whatever you’re doing onscreen to anything with an HDMI plug.

For many buyers though, this second-generation device is something they were waiting for before pulling the trigger on the original iPad. That’s what many buyers CNET talked to mentioned as being one of the big attractors. They know Apple’s cyclical product release schedule by now and were counting on a refresh of a few key things, even if they didn’t necessarily need them.

There are things Apple could have added, but didn’t. Though with lines like this on opening day, it seems the revamp offers enough.

Um, okay. If you read the review you’ll find something incredibly interesting. The new features, the front and back facing camera, its one-third thinness, the additions of FaceTime video chat, and a slightly faster processor, don’t seem to be huge leaps and bounds ahead of the first generation iPad. Sure, if you really want that camera than, yes, that’s an improvement, until you find out “the iPad’s screen resolution hasn’t budged, [and] photo quality is mediocre.” So, yeah, you could actually probably take better pictures with your smartphone, or just use your newest model digital camera, and you wouldn’t have to hold up a 1.3 pound, 9.7 inch device to take a photo.

Otherwise, with the exception of the faster processor on a device that was already eons faster than most similar options, “the iPad stays the same: size, price, capacity, and features all carry over.”

So, why all the fanfare? Is it just about being at the top of the tablet heap? Probably. Apple knows that every tech company is working their collective asses off to come up with something that could rival the iPad. And competition could be a very real thing. The Motorola Xoom, while pricier than the iPad at a $799 price point, and run off of the Android system, is the closest contender. It has new software, formidable hardware, 3G, dual cameras, HD video capability, and 1GB of DDR2 RAM, 32GB of internal storage. In short it’s a rising little monster.

For now, though, nothing is beating the iPad in sheer notoriety and “must have” credibility — exactly the way Apple wants it. You’d be hard pressed to find the device stocked anywhere, despite more Apple retail stores, and a handful of retail partners on board to get what is likely to be more units out the door in a shorter amount of time. Oh, you crafty Apple-dudes. So, you actually want us to never, ever, get one, until well, you’re good and ready to release more, eh? And they also really want you to walk into one of those stores and pony up the money in person, since online sales were non-existent until the day it went on sale, increasing the hype. All of this in itself is a perfected marketing ploy — and quite genius in its maniacal madness. We are all so screwed.

Apple is leading us by the nose, and we, yes, we are eating it up! Helpless, we are. Utterly helpless. But let’s keep one thing at the forefront, shall we?

All in all, despite all the filler, and a land full of Apple streamers and celebrations, it’s a functional upgrade. And if we think about it hard enough, an upgrade that could have been released for the original iPad months ago — or perhaps now, but realistically called the iPad 1.5 instead. So get your iPad 2 if you must, but if you decide to forgo it and continue to enjoy your first-generation iPad original-sauce — you’re really not missing all that much.

They think we’re all children. Yes, seriously. They think all we do is wait around looking for the best new toy, like we’re perpetually stuck in 1983, and if we don’t stampede that store, Mary-Beth the hawk-eyed PTA president with the bad perm and clogs will get the last Cabbage Patch doll. We can’t let that happen. No sir. That manufactured marketing bastard of a dumb toy will be ours. There’s really no other option. It will be ours or people will have to die. They will all just simply bend to our will or fooking disintegrate, because not to have the newest and latest is a fate worse than listening to Gilbert Gottfried say Aflac. We will have it dammit, and you can’t stop us.

[Photos via: CNET, Technorati]

Vanguard: A Brave New World

Al Gore will save us all. No, seriously. Not only has he hired shouting-mouthpiece Keith Olbermann to try to enlighten the world one withering tirade at a time, he is also responsible for one of the more altruistic news programs on television, and perhaps one you’re not familiar with.

I discovered Current TV’s Vanguard series last summer. Sometime when I was wondering why Terminator: Salvation was on for the seventy millionth time, I came across this show that was so engrossing in such a real way that it left me absolutely stunned. I’ve never encountered documentary journalism like this. I became totally invested, and the subject matter — the plight of Mail Order Brides, drew me in for over an hour. The gritty, documentary style reporting, the raw and unfiltered coverage — it was everything CNN wishes it could do and more. This show is really what investigative journalism is at its core.

With minimal film crews, and lacking in canned monologues, exorbitant speeches, faux-fury, or shock just for shock sake, mostly it focuses on ripping away the trappings of the spoiled Western mindset to offer a glimpse into someone else’s world, willing the observer to absorb their life, their history, their pains, their indignation, and their joys — oftentimes halfway around the world. Inexplicably though, it can feel like it’s too much, like you’re infringing too much, like you’re seeing too much. The empathy and at times embarrassment, depending on the subject matter, is that palpable. And yes, the reporters are not the staunch, grizzled, “newsman” types of yore. Or the perfectly coiffed silver-haired “anchors on assignment” we see now in their muscled shirts and jeans.

The team of Adam Yamaguchi, Christof Putzel, Mariana van Zeller, and Kaj Larsen, representatives of the X and Y generations, who you imagine are never far from their smart phones, laptops, or Facebook pages, but as we watch, they’re walking into shanty towns and discussing topics like open defecation, the lost boys of the soccer trade, and homegrown terrorism, forgetting for once about the prevalence of “me” that permeates young people in the States, and telling stories happening out there, beyond our borders that just need to be told.

http://www.youtube.com/watch?v=AHuIoKhMEcw

Which may be what you’d expect from a cable channel run by Al Gore, inventor of the internet, hunter of the manbearpig and exasperated politician. Yes, Mr. Gore has revamped and rekindled this channel and this news-art documentary storytelling in a burgeoning channel that implores you understand the challenges facing our fellow human brethren.

In most instances you just can not look away, because if you do, you feel that you are betraying the teller of the story. The person who has sacrificed much to share with you the most human feelings one can share with another. Truly it is journalism for the new millennium, and as such is worthy of acknowledgment from the “good old boys” in the business. Not that it needs the accolades or acceptance from mainstream media. But it’s earned it, last year as winner of the 69th annual Peabody Award and the 2010 Television Academy Honor Award, the show is truly making its mark. It is one of the only multi-award winning long-form investigative documentary series on cable television, and if you watch, you’ll quickly learn why — it tackles issues others ignore, it goes to places others wouldn’t fathom, and it bravely discusses topics others can’t or won’t cover.

In short, it’s really not your grandmother’s 60 Minutes.

http://www.youtube.com/watch?v=Cq_8PyRIo_E

Here is a list of other topics covered by the Vanguard team: