house

8 posts

The Proper Way to Make A Bed

I am very serious about my bedding. I will leave the house in ill-fitting jeans and in one of the fifteen identical black t-shirts I own every day, but the bed? The bed is my masterpiece.

When I first moved in with Mr. Bunny, I was appalled by his bedding. The man owned nothing but t-shirt sheets. These are unacceptable. If you own these, you must throw them away immediately or at the very least tear them into rags. To make matters worse, they were in the loudest patterns possible. He bedded me on my first visit to New York on terrible t-shirt sheets in a horrifically bright psychedelic pattern. I closed my eyes and thought of gingers. I vanquished those sheets the day I moved to New York. Continue reading

Friday Night DJ Party: 10 New Choons

Bounce. Bounce. Bounce. This past week I discovered some tunes from a St. Louis-based DJ named Spankalicious. He brings a sort of grimey flavor that sounds like the the Midwestern cousin of Z-Trip, Girl Talk and Diplo.

Spankalicious – Traveler

I’ve been digging in the crates lately so I’m a hit you with nine more fresh tracks after the jump.  Continue reading

Dance Music For Jaded Ex-Ravers

I haven’t done a music post in a while so let’s get down tonight. Here’s a selection of tasty dance music. Get your glow sticks ready, strap on your Pikachu backpack and start melting the Vick’s Vapo-Rub because it’s gonna be a workout.

Here are 10 dance choons I’m digging right now. I wish I could say these are all the newest tracks of the moment, but most of them are six months to a year old (that’s fucking ancient in the dance music world).
Continue reading

Party Like It’s 1998

OK, kids. Strap on your day-glo backpack and floppy Kangol hat because we’re going back to 1998. It was a simpler time back then. Justin Bieber hadn’t been invented yet and the ecstasy flowed like wine. Here are some tracks to take you back to that sketchy warehouse party that was probably thrown in a former asbestos factory. You’ll have fun, as long as you avoid the bathroom. It’s filled with ravers and is almost definitely disgusting.


“Re-introduction” by The Wiseguys
A billion different samples, a never-ending scratch. The 90s were not the most subtle time for music. We generally liked to go overnboard. This one turned into a classic b-boy jam, so I can’t hate it.


“Trip II the Moon” by Acen
Science-fiction. We loved it back then. Basically, if you needed an idea for a song in 1996 and couldn’t think of anything else, you knew you could ALWAYS make it about space robots and call it “Flight 2 Da Moon” or something.


“Fucking in Heaven” by Fatboy Slim
Ah yes. Fatboy Slim aka Norman Cook. Here he pounds a single naughty phrase into oblivion. People just wanted to hear what samplers could do back then. Leave us alone, it was the 90s.


“Loaded” by Primal Scream
A psychadelic Stones homage made with a drum machine and a bucket full of drugs. Somehow it all works.


“King of the Beats” by Aphrodite
Here’s our first jungle track of the night. Aphrodite was known for putting out a BILLION records that all sounded very much like this one. Eventually his name kinda became a punchline. Still, I can’t hate on “King of the Beats.” When it gets all dark at the 2:00 mark it takes me back to my younger days when everyone wore thugged-out puffy jackets and huge boots to the rave.


“Under Mi Sensi” (Jungle Spliff X-Project Remix) by Barrington Levy
For a few years there, the huge trend was to mix dancehall reggae with jungle and call it “ragga jungle.” For some stupid reason it eventually fell out of favor. I say stupid because… jesus, this music is awesome. It makes me want to light a car on fire.


“What Goes Up” by Blackwing vs. Headhunter
Here’s another dark drum ‘n bass track. I think the music was so foreboding back then because we had a sneaky feeling the aughts were really going to suck.


“Drop That Beat” by Richard Humpty Vission
Ok, that’s enough jungle. Here’s an acid house/hard house joint from RHV. This music is just stupid frenetic and sounds like it was made for someone who just ate about 10 pills of E. I fully admit that this music is basically annoying as shit. I left it in because well, those who ignore history are doomed to repeat it. So cutting out this song would be like denying that genocide happened. Are you happy now, monster?


“The Funk Phenomena” by Armand Van Helden
This song was an absolute scorcher in the clubs with that weird little keyboard riff and cool vocal line. I think this is one of the tracks that truly has aged well.


“To the Three” by S.P.1200
I love how on this record’s label it thanks “all the djs who like to spin the hard tracks.” The airhorn sample, the sped up vocals, the huge cymbals and claps… so so 90s. I don’t know why we thought it was so cool when the producer sped the vocals up to make it sound like a four-year-old was rapping, but we ate that shit up.


“Infatuation” by Onionz & Master Dee
This record was made by hippies from the West Coast, so it’s all “musical” and doesn’t give you a splitting headache. Whatever, hippies.


“Freed From Desire” by Gala
EUROTRASH! It’s not just a recent phenomenon, kids.


“Release Me” by Industry


“Get Get Down” by Paul Johnson
Ok, there are only three words in this whole song, but dammit, the way Johnson keeps shifting the vocal pitch down was ahead of his time. (I have a feeling he was using an akai sampler instead of ProTools but I’ll defer to the experts on such questions.)


“On the Run” by DeBos
We all dressed exactly like this couple back then. And we’d ALWAYS smash our dinner table to bits. That was funny to us.


“King of my Castle” (Roy Malone Mix) by Wamdue Project
A few years ago here in Atlanta I happened to meet a guy named Chris Brann who I rode motorcycles with a few times. It turned out he was the producer behind Wamdue. Small world! I love this anecdote from his wikipedia page: “Wamdue Project famously appeared on the initial nominations list for ‘Best British Newcomer’ [3] at the 2000 Brit Awards, before embarrassed organisers were forced to withdraw the nomination on account of the fact that Brann is American.”


“Little Fluffy Clouds” by The Orb
This song contains maybe the weirdest sample of all time at the beginning when the trippy-sounding hippie farmgirl talks about the “little fluffy clouds” in the sky.


“King of the Death Posture” by Van Basten
Technically this is what trance sounded like before trance grew into something that made you want to stab yourself in the face.


“Pumpin” by Bad Boy Bill


“Didjital Vibrations” by Jamiroquai
Jamiroquai was sort of the house band of the 90s rave scene. This was the perfect track for the chill-out room. Do they even have chill-out rooms anymore? It was where you went when your body was simply too exhausted to continue dancing but the drugs weren’t going to let you pass out just yet. I don’t think that exists any more with the invention of Red Bull.

Get to know: Roy Ayers

You’ve probably listened to Roy Ayers, even if you don’t realize it. After James Brown and maybe a few others, he’s probably among the most-sampled musicians of all time. 50 Cent, Mary J. Blige, A Tribe Called Quest, Digable Planets and just about every single house producer who ever came long have all used Roy Ayers samples.

You should know who Roy Ayers is.

So who is he? Well Ayers is hugely famous for being one of the greatest-ever players of the vibraphone (which is not the same as a xylophone). According to his biography, he grew up in what is now South Central Los Angeles and got his first pair of vibraphone mallets at the age of five…. as a gift from Lionel Fucking Hampton. Basically, Ayers was born to play music. It was his destiny.

So he started off in jazz and then the 70s came around so he mixed soul music, funk and disco into his sound. The rest is history. Since then he’s played alongside Chaka Khan, Fela Kuti, The Roots, Erykah Badu and probably dozens of electronic dance music producers. He’s ubiquitous and there could be no modern neo-soul music without him. And while he’s still hugely popular around the world and he’s still touring quite a bit, here in his own country I feel like we’ve forgotten about him a little bit. (We have a nasty habit of doing that.)

So here are 10 Roy Ayers songs to enjoy…


“Running Away” (Live)
Roy’s most famous song, this is jazz music that you can let loose to. It’s such fun, fast, alive music. Plus I love the guitar solo at the end, and Roy’s energy on stage is perfect. One of the YouTube commenters said it best: “This is where Jamiroquai got their sound.”


“Searching”


“Everybody Loves the Sunshine”
Underground California soul music with lovely synthesizers and great vocals. A perfect beach song… for people who like to eat a box full of pills before going to the beach.


“Can’t You See Me?”


“Love Will Bring Us Back Together”
A brilliant slab of disco funk with a squiggly little keyboard riff. I love one YouTube commenter’s take on this song: “i know, i know, i’m an old head, but gather round you younguns and let me tell you about a time when THIS kind of music played at house parties…. picture it, 1979 when i was 18, no guns, no gang violence, girls (most of the time) acted like ladies, cars were made of steel, songs spoke of love, (not bangin’ that thang), and people knew how to communicate…now put down that damn x-box, listen to this & learn something….know-it-all-whipp­er-snappa !”


“Change Up The Groove”


“Battle of the Vibes” (Live)
Here’s a 1988 concert where Roy and his percussionist do a little battle on the vibraphone. This is magic. Makes me wish I paid attention when they had us banging on glockenspiels in the fifth grade. Also, if you ever get invited over to Roy’s House for an impromptu jam session (hey, it could happen), remember to bring a towel. Don’t be sweatin’ on the man’s vibes!


“2000 Blacks Got To Be Free”
In 1980 Roy teamed up with Fela Kuti to give us this little slice of amazing funk. The horns are all Fela’s style but the spoken-word vocals are all Roy.


“Aragon”
This one was on the soundtrack to “Coffy,” with Pam Grier. So basically it can’t get much cooler than this.


“Get On Up, Get On Down”