literature

10 posts

QOTD: What’s Your Favorite Sentence?

Japanese Teahouse at Rosecliff, a Newport, RI, mansion used in the filming of 1974's The Great Gatsby.
Chinese Tea House at Marble House, a Newport, RI, mansion used in the filming of 1974’s The Great Gatsby.

The American Scholar recently published a list of its editors’ picks for the “Ten Best Sentences.”  Fitzgerald took the first slot, with this sentence from The Great Gatsby: “Its vanished trees, the trees that had made way for Gatsby’s house, had once pandered in whispers to the last and greatest of all human dreams; for a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.” Continue reading

Read This Book: Shani Boianjiu’s ‘The People of Forever Are Not Afraid’

While living in Israel some years ago, I’d often encounter male soldiers on the street or traveling by bus or sherut. Their olive green military uniforms, combat boots, berets tucked under left epaulets, and assault rifles straddled over their shoulders was always a jarring image to behold during my initial weeks in Haifa. Yet as time went on, they, like the ubiquitous Cyprus trees, began to fade into the landscape with one exception: female recruits.

Israel is the only country in the world with a mandatory military service requirement for women. The times I’d cross their path, I’d often wonder what their lives and training were like, what they thought of the draft, and what their hopes and dreams were post-IDF? Did they see themselves as children weighed down in adult clothing? Were they fearful of death, or worse, fearful of becoming indifferent to the killing of others?  Continue reading

Monday Morning Afternoon Poetry

Each week we bring you a poet, some of their work, and leave the rest up to you.

This week’s poet is Anne Sexton. Also, this week, EthologyNerd is substitute-hosting for Jennywren.

Background:

Anne Sexton was the Courtney Love of 1960’s American poetry. Sylvia Plath, her good friend and main rival at the time, was winning awards and smiling dutifully at receptions; Anne was showing up drunk to receptions if at all, lighting hundred-dollar bills on fire in restaurants, having multiple affairs, and was generally considered the one poet you had to see read…again, if she made it and you could understand what she was saying.

Widely considered to have opened the door for modern “confessional” poetry, she tackled all manner of controversial topics in her writing, including menstruation, abortion, her mania and depression, and her rebellion against her straitlaced, WASPy,  somewhat abusive upbringing. As her mental illness worsened, so did her personal relationships. Her decades-long marriage ended in divorce in the early 1970s as Anne descended further into prescription drug abuse, alcohol abuse, and her suicide attempts, of which there had been several in the past, became more frequent and more serious. Her last suicide attempt in 1974 was successful. Continue reading

Authors I Have Loved

Little does the poor kid know. . .

OMG, I just read this book and it’s AMAZING!!! You have to totes check it out! For realz, yo! Only . . . after you read it, don’t read anything else that author wrote. Well, maybe there’s one or two, but seriously, you should quit while you’re ahead. Maybe read the recaps on Wikipedia if you have to know what happens. . .

I’m sure we’ve all come across this, an author with a lot of promise, who ends up rapidly disappointing after taking a wrong turn, often for no discernible reason, at least to the readers. It can be very hard to write well, and continuously, especially when you have an editor breathing down your neck (Hi, GI and Bots!!), and a rabid fan base clamoring for more of the character that you hated. For example, L. Frank Baum and C.S. Lewis had no intentions to continue the stories they started in The Wizard of Oz and The Lion, the Witch, and the Wardrobe, yet their fans demanded it, and now we have seven Narnia books and over 40 Oz books, with thirteen being written by Baum. Agatha Christie is on record as loathing Hercule Poirot (her exact words are “detestable, bombastic, tiresome, ego-centric little creep”), yet kept him going for a long time, simply to please her fan base. Continue reading

Why Read Young Adult Fiction?

First came the boy wizards, followed by sparkly vampires, tween demigods, and most recently, girl gladiators.  Unless you’ve been living under the proverbial rock, chances are you have more than a passing familiarity with some or all of these multi-volume series. And yet, if bookstore shelves and library labels are to be believed, they were not written for you.

Why do so many adults read children’s fiction? Fans will be quick to cite the richness and complexity of the Harry Potter series as well as its progressively darker tone. Similarly, Suzanne Collins’ Hunger Games trilogy has been praised for its mature themes and bleak, uncompromising approach to storytelling. But this sort of reasoning only raises another question: if these books are mature and complex enough for adults, why are they marketed as young adult fiction in the first place? Continue reading

Monday Morning Poetry

Here is a new, hopefully weekly, segment where we discuss a poet and some of their work.  

This week’s poet is one of my favorites, Ted Kooser.

Background:

Ted Kooser was born in Ames, Iowa in 1939. He earned a B.A. from Iowa State University in 1962 and an M.A. in English from the University of Nebraska in 1968.  For most of his life he worked as an insurance executive in Lincoln, Nebraska and would get up early to write poetry before going to work.  He is now retired, and lives near the village of Garland, Nebraska with his wife Kathleen Rutledge.

Continue reading

Wednesday Question of the Day: Who is your Favorite Literary Character?

Good morning Crasstalk. Today we are going to be a little bit more cultured with our Question of the Day. Don’t worry, it won’t hurt you and I am sure we will be back to talking reality TV and boy bands tomorrow. So let’s turn our focus to some great books.

Chaucer approves of this post.

While most of us like to read, literature is often something we leave in Freshman Lit 101. This is a shame, and in the interest of creating the well-cultured Crasstalk, I submit the following question:

Who is your favorite literary character? Please, let’s not use books that have been turned into Life Time Movies, or have been adapted to star Skeet Ulrich. Keep it classy.

Mine is not who you would think (although he is up there), but rather I am going way back to Arthurian legend for this saucy and duplicitous lady. Morgan Le Fay, half-sister of Arthur and enemy of Camelot. Powerful, smart, and conniving, she helped destroy Artur and that sap Lancelot. She would have made Alexis Carrington cry like a bitch.

Even comic book readers know not to fuck with this girl.

 

So there’s mine. Whose was the character that made your lit assignments a little less tedious?

YA Lit: Putting the “Adult” in “Young Adult”

I’m pretty officially an adult. I have a full-time job, a full-time husband, full-time bills, and a part-time metabolism—all signs that I’ve officially passed the point where I have to get nervous about being carded. And yet, when it comes to literature, my genre of choice is more appropriate for a high-school library than my own personal one, and as book sales have shown, I’m hardly alone.

So what is it about young adult literature that is so damn appealing to those of us who could just as easily be reading books for grown-ups? And, more importantly, why do we want to send ourselves back to high school when we spent four years barely managing to claw our way out of it?

In that latter question actually lies part of the answer—because it allows us to do it again as someone else. Weren’t in the popular clique? No problem—try again as Gossip Girl’s Blair Waldorf, Pretty Little Liars’ Hanna Marin, or Sweet Valley High’s Jessica Wakefield. Weren’t the smart standout who somehow manages to seduce an entire school no matter how much she stands out, blunders, or self-effaces? That’s OK–Private’s Reed Brennan and The It Girl’s Jenny Humphrey (yes, that Jenny Humphrey) have got you covered. Weren’t the princess of a totally made-up country? Princess Diaries Mia Thermopolous FTW! And let’s not get started on whether or not you had magical powers or fell into a love triangle with a vampire and a werewolf.

But of course, high school isn’t all about what we weren’t; it’s about what we were, and it’s those authors who so successfully encapsulate the enormous range of trials and tribulations of adolescence in their novels, from not having a date to not having a mother, that have turned YA lit into a must-read genre for all ages. High school is, in a manner of speaking, the last “shared American experience” before we all diverge in myriad ways; although we didn’t all go to college or vocational school or seminary, or become teachers or doctors or lawyers, we all spent the four years preceding those adventures in a fairly similar environment.

Because being a teenager isn’t like being an adult. The relationships between characters in your average contemporary young adult book don’t include the complications of marriage, divorce, and kids. The ways they choose to resolve the issues they face don’t have to take into account how they will affect their jobs or their children, or how they’ll continue to pay their bills. The young adult’s perspective is a selfish and narrow one in the most innocent meanings of those words, and one that I think all adults miss being able to have every now and again.

But make no mistake—there’s nothing lighthearted about today’s bestselling contemporary YA. The sci-fi/fantasy subgenres have proven that YA books can appeal to any age or gender, and in order to keep up, contemporary authors are now veering away from the old teen-centric topics like romance, social competition, and puberty, and replacing them with the types of subjects that possess the depth and universality to appeal to all ages in order to obtain a similar “crossover” appeal, creating a new sub-sub-genre which is all but officially referred to as “Edgy YA.” It’s a silly word choice—does anyone say “edgy” non-ironically anymore?—but the truth of the matter is that the boldness of authors covering major issues in the latest crop of books is nothing short of astonishing, and for teens who don’t even know how to begin discussing topics like rape, suicide, eating disorders, drugs, and school shootings, the value of having an author speak frankly on the subject in a book targeted to their age group is immeasurable.

For those interested in coming over to the dark side, a few recommendations for where to begin:

Leftovers and Such a Pretty Girl, both by Laura Wiess. The former is a unique look at the capability of average, relatable teens to do terrible things in response to abuse and abandonment; the latter, a book from the perspective of a teenage girl whose father is returning from prison early after being put away for sexually abusing her. I highly recommend both, but if you’ll only try one, make it Leftovers for its absolutely perfect final line.

 

Speak and Wintergirls, both by Laurie Halse Anderson. Anderson is pretty much the mistress of edgy YA, and each of these books alone could justify why. The woman is brutal when it comes to honesty and detail, and Speak has, for years now, been the young adult novel about date rape. (If you read nothing else by LHA, at least read this post from her blog in which she addresses a professor’s claim that Speak is soft pornography.) In 2009, Anderson added Wintergirls to her list of publications, a chilling and powerful depiction of eating disorders from the perspective of an anorexic whose bulimic frenemy has just passed away.

 

Th1rteen R3asons Why by Jay Asher. Rarely has a standalone YA novel generated this much attention and praise so quickly. Throw in the facts that this was Asher’s debut and that it was just acquired by Universal and you’re looking at a bonafide literary phenomenon. This novel about teen suicide, told from the perspective of the boy who loved the girl who killed herself and left behind thirteen tapes to explain the motivations behind her actions, is not only a heartbreaker but an insightful look into how seemingly meaningless words and gestures can snowball into dangerous consequences when paired with an adolescent mind.

 

If I Stay by Gayle Forman. (NB: Clicking either the book or the link will be the littlest bit spoilery.) A heartbreaking work from start to finish, If I Stay takes place almost entirely within the subconscious of its heroine Mia as she lies in a coma following a car accident that’s just claimed both of her parents. As its title suggests, the book is an examination of her life up to that point as she struggles to decide whether her new life will be worth living or whether it’s time to stop fighting.

 

The Hate List by Jennifer Brown. This incredibly dark novel about the aftereffects of a school shooting–particularly on those who loved the shooter–is impossible to read without reflecting on the similar tragic events in our nation’s recent history. Told from the perspective of the girlfriend of the now-deceased shooter, who is still struggling to understand her role in the mass-murder, this book feels like a must-read for anyone who’s ever wanted to think about school shootings in any way other than as they’re presented by the media.

 

I’d also be remiss if I didn’t mention Before I Fall and Delirium, both by Lauren Oliver, although I have not yet read either one due to their not yet being available in paperback. They are both widely considered to be excellent, and I hope to confirm that as soon as possible.

 

Judy Blume, Patron Saint of Adolescence

Most importantly, however, I feel credit should be given where credit is due, and I don’t think any single person on Earth deserves credit for the propagation of frank literary dialogue with teens like Judy Blume. No author of books for teens has boldly faced down as much controversy as Ms. Blume for her books which address topics like puberty, masturbation, losing your virginity, and bullying. Judy Blume started the discussions no one was having, and if my word isn’t enough for you, perhaps the fact that a compilation with this title actually exists will do it.

 

Happy reading!

 

Five Modern Authors You Should Read

Reading: it’s really a lost art. I’m not an old (although I’m about to sound like one), but kids these days just don’t read unless it’s the “Twilight” saga. Yes, I read that, but I also read everything I could get my hands on since I was four. My mother, thank God, didn’t think that stealing her Stephen Kings at age six was a good idea. So she’d take me to Crown Books (old!) and I was only allowed to pick books out from the “Classics” section.

I would read the back of the shampoo bottle. Much like with music, I have no shame or taste. I’ll read Dean Koontz while listening to Britney if I want. I’ll read “Vanity Fair” while listening to Chopin. I’ll read Chuck Palahniuk while listening to something intentionally “avant-garde.” So I think I have a pretty good range of reference when it comes to modern-day literature and non-fiction.

Everyone knows “The Great Gatsby” is a great book. Tom Wolfe’s great. But there are some great books that don’t have the reputation they have. So here’s a little list of authors you should get familiar with, if you haven’t. It’s by no means comprehensive, but these are some of the best writers of the last, we’ll say, fifteen years.

Mary Roach,”Stiff,” “Spook,” “Bonk,” “Packing for Mars”

Roach is a non-fiction writer that tackles subjects that she personally finds interesting, like cadavers, or sex. Aren’t we all a little interested in those things? Her books are very funny, and very nerdy-factual. I would marry her. There have been times that I
have literally spit/choked/giggled while reading her books. Don’t bring one on an airplane. Your seatmate will be concerned about your mental health.

Jonathan Franzen, “The Twenty-Seventh City,” “Strong Motion,” “The Corrections,” “Freedom”

Franzen’s kind of a controversial guy, Oprah debacle aside. Some people love him; some people think he’s absolutely the epitome of navel-gazing, indulgent, latter-day ennui. I like his writing, perhaps because a lot of us are, in fact, experiencing some latter-day ennui ourselves. His books have a steep trajectory; each one is better than the next. He’s Tom Wolfe-esque. Only his slice of life is the upper-middle-class, over-educated and under-sane demographic.

Carolyn Parkhurst, “The Dogs of Babel,” “Lost and Found,” “The Nobodies Album”

In all honesty, “The Dogs of Babel” is one of my favorite books of all time. Her books address loss, grief, redemption and love (you know, all the little things in life) without veering into chick-lit territory. Her writing is vivid and practically poetic. I’d compare her to Margaret Atwood, but she’s not quite Atwood, either. Sometimes, her books are visceral and heartbreaking. Her voice is really unique, and if you only read one book from this list, read “Dogs.”

Jen Lancaster, “Bitter Is the New Black,” “Bright Lights, Big Ass,” “Such a Pretty Fat,” “Pretty in Plaid”

Lancaster is equal parts chick lit, sarcastic bitch, and pop-culture analyst. If you read her books, start at the beginning; they’re all memoirs…so reading in that sequence helps. As a bitchy pit bull owner from Chicago, they struck a certain chord with me. Her books are full of snark, and we do love the snark here, so again, be prepared for a decent amount of wine-spitting when you read her books.

Amy Hempel, “Reasons to Live,” “At the Gates of the Animal Kingdom,” “Tumble Home, “The Dog of the Marriage”

Hempel is, in many ways, the antithesis of Franzen. She’s a minimalist, and her words are chosen very carefully to elicit readers’ responses without saying very much at all. Her prose is stark and clean but still manages to reverberate in my head long after I’ve finished a story. She writes mostly short stories, and short leaves plenty of room for an echo chamber of feelings and thoughts after reading a piece by her. “The Collected Stories of Amy Hempel” is a great place to start.

So, those are my picks. You’ll definitely disagree (and maybe agree), but I tried to pick just five of the amazing authors out there. There are many honorable mentions, but I’d be remiss if I didn’t list just one:

Kurt Vonnegut, everything.

Vonnegut’s main body of work isn’t in the last fifteen years, but he’s easily one of the best, and most prolific, writers of the last fifty years. Satire is effortless for this man. As a nod to our mascot, the honey badger, he doesn’t give a shit. At all. His books lampoon everything from the end of the world to mental illness to modern politics. He makes sci-fi cool. He’s a shameless lefty and atheist. He is just fantastic, funny, and brilliant (yes, I clearly have a crush on a dead man). My introduction to Vonnegut was “The Sirens of Titan,” but you can start anywhere, as long as you keep picking up another Vonnegut book. The world is less amazing without Kurt Vonnegut in it.

 

So, please share your favorite authors in the comments, and I’ll ferociously defend my choices, as well.