television

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List-Mania XXM Pt. 2: The Reckoning

So last night I talked about my five favorite TV dramas of the year. Looking back on it, I kind of wished I didn’t include The Walking Dead because it was good for 2 episodes then sucked. So, with that in mind I’m going to throw it out and go with six comedies.

Ultimate Caveat Part 2: I did not watch Parks & Recreation, sorry Swifter.

6. Archer: For anyone who’s familiar with Adult Swim, Archer isn’t anything groundbreaking, nor is satire of James Bond something new to the comedy scene. But the banter between the voice actors and retro 60s feel gives Archer a unique twist. Creator Adam Reed has given the show a similar style of humor and animation comparable to his other works Frisky Dingo and Sealab 2021. The voice talent is impressive, headed by H. Jon Benjamin and other heavy hitters like Jessica Walter, who essentially reprises her role as Lucille Bluth. The show has a very hyper-aggressive wit to it, with the titular character attempting to get the last line on everything despite being a clueless idiot. Throwaway lines like “That girl was like the Pele of anal” and “This place smells like Indira Gandhi’s thong” are what set this show apart from other animated fare and the fact that it’s on FX allows it to be as raunchy and offensive as needed.

5. 30 Rock: No, it can’t hold the claim as the smartest or
funniest show on television, but there aren’t many shows that try to cram as many jokes into 22 minutes of action like 30 Rock. Alec Baldwin has spent the last 4 years reminding anyone who may have missed his 40 appearances on Saturday Night Live that he has better comedic timing than you. Tina Fey at times seems to revel in making Liz Lemon the butt of jokes as a frumpy, socially awkward being when in reality most people would sacrifice a goat to sleep with her. But the show still works thanks to the great relationship between Liz Lemon and Jack Donaghy. The supporting actors can be hit or miss but the show has succeeded in confusing everyone as to whether Tracy Morgan is actually crazy or just acting.
4. The League:
When I first heard the premise of this show I made considerable wanking motions at the screen.

A show about 6 dudes in a fantasy football league that spend the majority of time insulting each other and talking about sex? Color me unimpressed. But after actually watching the short first season last year I was hooked. The show returned with a much better feel for its characters (hint: They are all assholes) and the actors appeared to be much more comfortable riffing off one another. The style of the show is similar to Curb Your Enthusiasm with a story outline instead of a script and relies heavily on improvisation. If you like the Curb version of Larry David or have a fondness for “that guy” comic actors like Nick Kroll and Paul Scheer you will probably enjoy The League.

3. Modern Family: On the surface, there isn’t much reason for TV critics and audiences to lavish this show with so much praise. It’s a typical sitcom about the antics of a zany family, complete with sexy trophy wife, annoyingly wise child, bumbling husband and gay couple. But for one reason or another Modern Family just feels right, whereas Two and a Half Men feels like an ectopic pregnancy. Thankfully the writers dumped the schmaltzy ending “This is the moral of the story” segments and have let the the show ease into a nice rhythm, allowing us to feel like the Dunphy-Pritchett family could actually exist. The comedy is broad and nonsensical, what makes it work is the feeling that these characters love each other and actually enjoy being in the presence of one another.

2. Community:

Too many TV/movie parodies. Too much meta-commentary. Too many gimmick episodes. Too much fucking awesome is what I say. A story about a disbarred lawyer who goes back to community college and becomes part of a quirky study group has somehow turned into one of the most inventive television shows in recent memory. In two seasons, Community has taken a group of broad stereotypes and fleshed out some great characters. Off the top of my head, we’ve seen parodies of zombie films, Goodfellas, Charlie Kauffman, John Woo, Lethal Weapon, space movies, Mean Girls and The Breakfast Club. Yet none of it feels truly forced and the actors do such a good job there is a heartwarming feel as each episode brings the band of misfits closer together. Bonus points for the hotness that is Allison Brie and Gillian Jacobs.

1. Party Down: The final two shows on this list have a similar theme of how to react when the life you had comes

crashing to a halt. Whereas Community takes a decidedly sunnier view of things (You may not be a rich and successful lawyer but at least you understand the meaning of friendship!), Party Down spent two seasons showing us just what happens to a man who decides to give up on the American Dream, and it’s decidedly unpleasant. An incredible cast and some ridiculous guest spots (Kristen Bell, Steve Guttenberg, JK Simmons) had you either laughing or cringing, usually both at the same time. More bad things happened to Ron Donald (played by Ken Marino) over the course of a season then what happens to child molesters in prison. The season “not series” finale but ultimately last episode deliberately left things open-ended but it still felt like a satisfying conclusion. The last shot of Henry (Adam Scott) nervously waiting for an audition, tired of leading a shit life but terrified of failing again, summed the series up quite nicely.

List-Mania MMX: TV Edition

Like our fearless leader I have a fondness for lists. They are awesome for the sense of finality and authority they provide, even if they are created by drunk kittens. They’re great conversation starters (Hey Johnson did you see that list of 10 greatest rim jobs?) and if you’re a professional troll like Armond White lists can generate huge traffic to your otherwise pathetic blog. So, I’ve decided to break down the 10 best TV shows of 2010. I’ll tackle drama today and comedy in the near future.

Ultimate Caveat: I do not watch Mad Men. And minor spoilers apply for all shows.

5. The Walking Dead: Aside from Boardwalk Empire, no other show premeired this year to such rave reviews and incredible ratings. The 90 minute pilot was grandiose and Frank Darabont created a distinct visual style that transferred the zombie movie to basic cable without sacrificing any of the gore or horror we come to expect from the genre. However, the show definitely lost steam after a strong start. Poor writing, shallow stereotypes masquerading as supporting characters and an uneventful finale left me kind of disappointed. Still, the show has potential and hopefully a new writing staff can inject some life into the remaining characters.

4. Lost: I was initially annoyed at the finale but the more I look back the writers had basically put themselves in a corner and that was the easiest way out. In the end, it was still an entertaining show regardless of plot direction and the finale was fantastic until the final 10 minutes. They still should have killed Kate with the polar bear, I hated Kate.

3. Boardwalk Empire:  Out of all the new shows this year no other had as much hype and expectations as Boardwalk

Empire. You look at the impressive pedigree behind the scenes (Scorsese, Terrence Winter) and in front (Steve Buscemi, Omar Little, Michael Shannon), the subject matter and it’s kind of easy to see why people bust a nut over this show. Crosstalk favorite Brian Moylan trashed the show but he’s off his rocker. No, it’s not Goodfellas circa 1920 but there’s so much more going on. Personally, I loved all the political subplots. Where else are you going to find a major story arc involving Warren G. Harding’s long-forgotten mistress? A serious lack of Omar left me sad but I really liked the finale and all the set-ups for the next season. Bonus points for the Leonardo DiCaprio lookalike doing a bang-up job as Jimmy Darmody and Paz De La Huerta for showing her breasts.

2. Friday Night Lights:

Simply put, the best television drama no one talks about. Somehow a show about Texas high school football created by the guy who directed Hancock has turned into one of the most earnest, thoughtful portrayals of American life and the familial unit. There is no other show on TV that has given me goosebumps or made me tear up like FNL. The marriage of Eric and Tami Taylor just might be the most honest portrayal of a husband and wife I have ever seen on TV. In it’s final season and exiting on just a high of a note as when it started.

1. Breaking Bad: Heisenberg and Jesse Pinkman. I could write pages on the brilliance of these characters, the

absolute dominance by Bryan Cranston and Aaron Paul over my mind grapes. This show made me say “Holy fucking shit” more times than I can recall. An episode where all the main characters did was chase a fly around a meth lab was filled with more drama and catharsis than the entire season of Dexter. The ending of “One Minute” had me screaming at the screen like a stereotype in a Wayans Brother movie. What started as a means to pay for chemotherapy and surgery has turned into a defining characteristic for Walter White. No matter how many times he tries to step away, the meth and money always come calling. Like The Sopranos, the show has no qualms about making their main character a terrible human being, one who with each season slips further into despair.

Boardwalk Empire Season Finale Tonight!

Boardwalk

Are the D’Alessio brothers done? Will Arnold Rothstein flee the country? Is Margaret ever coming back? What will Eli do now that he is no longer the Sheriff? What’s up with Nucky and Chalky? Will the Commodore take revenge on Gillian? What’s Jimmy going to do about Angela’s betrayal? How will Agent Van Alden deal with Sebso’s death? What will happen to Annabelle now that her “fella” is dead broke? What’s going on with Lucky? How will the elections turn out? What’s Capone going to do from Chicago? So many questions! Can’t wait for the season finale. Anyone else tuning in?

Oh really, funny rabbits?


I seriously hate this Travelers’ commercial. The one with the rattlesnake with the baby rattle instead of a real rattle. And the rabbits are no longer afraid and start laughing at it. And it curls up and cries.

Bullshit.

They need to show the next ten seconds of that ad, where the rattlesnake remembers “Oh, hey, I don’t kill rabbits with my rattle, I kill them with my speed and fangs and venom!” and then proceeds to strike at each in quick succession as they lay back with exposed bellies giggling to their deaths.

International Security and Local Law Enforcement

Occasionally, I’d like to touch on something a little more serious. Countless critics provide quality artistic and socio-political analysis of today’s high quality dramas: Mad Men, Breaking Bad, The Walking Dead, Top Chef. But I’m afraid that this particular focus has led us to ignore the important lessons we can learn from America’s Top New Drama:  Hawaii Five-O.  Here are some important lessons from this week’s episode. Continue reading