Charlie Sheen

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Sheen It: A Retrospective

Sue me. I can’t stop watching Charlie Sheen clips. I can’t help myself from clicking on clip after clip of Sheen’s now-infamous interviews with ABC’s Good Morning America. Like this. And this. And, oh heaven help me, this, from 20/20.

Watching a celebrity self-destruct in real time has become a bit of blood sport in our tabloid-frenzied culture. Even WebMD is in on the action. We are transfixed by the train wreck, by the tragedy of witnessing potential unfulfilled, opportunity squandered, and the pitfalls of privilege.

Sheen’s various interviews to media outlets (ABC, CNN, Radar Online, among others) have generated a lot of buzz, but people have been talking about Charlie Sheen’s bad behavior for a long time. Sheen’s drug, gambling, and sex addictions have been high-larious fodder for more than a decade. Here’s a flashback to a November 2000 episode of “Who Wants to be a Millionaire,” featuring a chubby Drew Carey, a thin Alec Baldwin, and knowing laughter with Reg over Sheen’s troubles.

Many celebs, world-weary and drug-wise themselves, take the “he’s an adult, it’s his life” stance, including recovering addict (and Mel Gibson defender) Robert Downey, Jr.

As I was looking at clips of Sheen’s media blitzkrieg, I couldn’t help remembering the early days of Charlie Sheen, when he was the youngest addition to a roster of hot young Hollywood stars including Johnny Depp, Rob Lowe, and the Coreys. Too young to belong to the Brat Pack with his brother, Emilio Estevez, Sheen stepped out of the shadows of his famous acting family in iconic roles in “Lucas,” “Platoon,” and “Wall Street.” My girlhood crush on Charlie Sheen evaporated sometime around 1990, long before his current troubles, but about the time his film career took an unfortunate turn. I’m guessing “Hot Shots” happened when his need for hookers and blow took over as his primary vocation. This little primer on the glory days of Charlie Sheen is for the young readers who’ve only known the cranked up, Hawaiian shirt wearing, wife beating, piece of shite we see before us now.

Early in his career, Sheen racked up a series of strong roles in great films (and if you say 1984’s “Red Dawn” isn’t a great film, we’re fighting).

Here’s how I’d like to remember Sheen (and Corey Haim, for that matter, on the banana seat bike). In 1986’s “Lucas,” he plays a classic clean-cut jock with a soft side. Part of Sheen’s charm in those heady early days was his apparent effortlessness on film.

He won acclaim for his role in Oliver Stone’s “Platoon” (1986) and worked with Stone again in a lead role as Bud Fox, a wanna-be player striving for the finer things in life in “Wall Street” (1987).

Sheen continued work in 80s classics, including “Young Guns,” “Eight Men Out,” and “Navy Seals,” churning out over 20 movies before the end of the decade. The 1990s marked a turn in his career, from dramas to comedies.

So was Sheen ever funny? If you’ve somehow watched his television show (let’s pretend you haven’t), that is a legitimate question. He told CNN’s Piers Morgan that he is able to make Two and a Half Men so damn funny because he lives such a crazed lifestyle. Everyone on it says knows coke makes you funnier. Here’s a clip from “Major League II.” Decide for yourself.

Perhaps you like your comedy a little less subtle, in which case I recommend the 1993 vintage “Hot Shots! Part Deux.”

His appearance in “Loaded Weapon” (also 1993) was mercifully brief.

It only gets worse from there, except for a small cameo in “Being John Malkovich” (1999).

By this time, Sheen’s film career was essentially over as he transitioned to television, starring in Spin City in the early 2000s as a replacement for the ailing Michael J. Fox. For me, his best and most prophetic work was in “Ferris Bueller’s Day Off,” with Jennifer Grey’s old nose.

And now you’ve Sheen It. Go work on winning.

Ratings Shuffle: America Still Likes These Boobs on Their Tube

So, Charlie Sheen does the Crack. Um, okay. I totally get it, booze, girls, and a television show that gives you a veritable monetary windfall — to, uh afford your booze, girls, and now crack cocaine. Sounds almost exactly what we expect from Charlie Sheen, minus the part where he tells kids to “Stay off the crack unless you know how to manage it.” Ho, Boy! Yeah. That Sheen — doing so much for America’s youth.

Anyway, this does nothing to explain how America is still keeping Two and a Half Men at the top of the Nielsen Charts. I’d really like to meet a Two and a Half Men fan one day. Mostly to see if they have tails and live beneath the basement stairs in various old age homes scattered throughout Middle America, but that’s for another day.

Here now is what’s going on in your new weekly ratings report!

CBS, this behemoth network full of single men and/or nerds sharing a home, military head slapping, and a guy who tells his kids about all the women he has sex with that aren’t their mother, was the leader of the pack last week pulling in 3.4 adults in the 18-49 group, edging out Fox which finished a tenth of a point behind with a 3.3 rating. ABC came in third with 2.1, and NBC, home of The Cape, trailed in fourth place with a 1.6 rating! (Is it because of the The Cape, because I think it’s because of The Cape.)

The number one program, and undoubtedly the biggest draw for the CBS network last week, was Sunday night’s Grammys Award Show which apparently many of you sycophants thought was awesome. I did not. We’ll agree to disagree on that point.


The much troubled Charlie Sheen and Co. came in at a more than respectable #6 according to Nielsen, but was beaten out by American Idol on both Wednesday and Thursday nights, followed by Modern Family, and Glee. However, the crack afficionado and cast still managed to win in ratings over House, NCIS (Head Slappers!), The Big Bang Theory, and Grey’s Anatomy, which rounded out the top ten. [TV By the Numbers]

Unfortunately, or fortunately, who knows! The network’s rebooted James Belushi and Jerry O’Connell legal drama, The Defenders, is looking at the chopping block. And, guys, it’s looking back and saying yum. Not the first show on the network staring down the barrel of cancellation, Medium had that honor. Reportedly, there’s a bit of scuttlebutt about how the network cancelled Medium just to put The Defenders, a seemingly worse show, in its place. That’s mostly all bunk since Medium had abysmal ratings and was slated for cancellation anyway. Case and point, I personally haven’t watched that show since the early 00’s right before the big, “I see dead people who haunt me and help me solve crimes” boom, which eventually became, “I have psychic/stellar deductive reasoning skills to help me solve crimes and wiggle my eyebrows at pretty girls” boom, all mostly serving to clog up television like a preternatural arterial blockage of unoriginality. But whatever, Psych! It rules! The Mentalist…not so much. Luckily, we’re only down to about two of those now, but no, it’s certainly not The Defenders fault. It was just time for Medium to end.


Things also aren’t going so well for T.J. Hooker’s new grumpy old man series, $#*! My Dad Says. Um, can I just say that the Zapf Dingbats My Dad Says Shit-show didn’t really look like a good idea to begin with? I don’t know, but something about James T. Kirk walking around in a khaki vest haranguing his son, even without a purse on his arm, just seems so very 1986. Estelle Getty is probably somewhere in the ether shaking an angry fist at the blasphemous portrayal of her shtick.

So, that’s it folks. CBS reigns supreme. This makes me sad, mostly. I blame everyone else. I take responsibility for The Big Bang Theory, but that’s all. We should gift wrap V in an alien egg incubator and give it to CBS. That would help. No, really, this is awesome for CBS, I think.