Botswana Meat Commission FC

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Botswana Meat Commission FC created Crasstalk.com when he saw the need for a crowdsourced solution to capturing Osama bin Laden. His heroes include Nick Denton and all Bronies ever.

The least sympathetic ‘I have lots of student debt’ story ever

Yesterday the New York Times brought us a story about the plight of law school graduates that focused on a guy named Michael Wallerstein. Ostensibly, Wallerstein’s purpose was to serve as a nice thumbnail for the story’s angle: that law schools are ripping students off and leaving them with lots of debt and very little in the way of job prospects.

Now, in general the article made a pretty solid case that structural incentives are driving law schools into a never-ending chase for more students and more tuition money, even though the job market for new lawyers is basically complete shite. Fair enough.

But the more we learn about this Wallerstein character, the less I want to feel sorry for him. Let’s review his case!

And many students enroll for reasons other than immediate financial returns. Mr. Wallerstein, for instance, was drawn by the prestige of the degree. He has no regrets, at least for now, even though he seems doomed to a type of indentured servitude at least through his 30s.

“Law school might not be worth it for another 10 or 15 years,” he says, “but the riskier approach always has the bigger payoff.”

Good start! Is he an asshole, or just painfully delusional? We don’t know yet, and must read on to find out. Very suspenseful, New York Times!

WHEN he started in 2006, Michael Wallerstein knew little about the Thomas Jefferson School of Law, other than that it was in San Diego, which seemed like a fine place to spend three years.

“I looked at schools in Pennsylvania and Long Island,” he says, “but I thought, why not go somewhere I’ll enjoy?”

All major life decisions should really come down to whether or not the weather is good. That’s the kind of critical thinking I would look for when hiring an attorney.

Mr. Wallerstein is chatting over lunch one recent afternoon with his fiancée, Karin Michonski. She, too, seems unperturbed by his dizzying collection of i.o.u.’s. Despite those debts, she hopes that he does not wind up in one of those time-gobbling corporate law jobs.

“We like hanging out together,” she says with a laugh.

If love paid the bills, these two would be debt-free tomorrow. But it doesn’t, and Mr. Wallerstein has no money in the bank, no assets and — aside from the occasional job as a legal temp — no wages to garnish. He and Ms. Michonski live rent-free in a nearby brownstone, in return for keeping an eye on the elderly man who owns the place.

Wait. These two (I kind of feel sorry for the girlfriend getting dragged into this, but since she obviously has such awful taste….) have no plans for ever repaying their debts while they live for free in a New York City brownstone. And we’re supposed to feel sorry for him.

WHEN Mr. Wallerstein started at Thomas Jefferson, he was in no mood for austerity. He borrowed so much that before the start of his first semester he nearly put a down payment on a $350,000 two-bedroom, two-bath condo, figuring that the investment would earn a profit by the time he graduated. He was ready to ink the deal until a rep at the mortgage giant Countrywide asked if his employer at the time — a trade magazine publisher in New Jersey — would write a letter falsely stating that he was moving to San Diego for work.

“We were on a three-way call with my real estate agent and I said I didn’t feel comfortable with that,” he says. “The Countrywide guy chuckled and said, ‘Everyone lies on their mortgage application.’ ”

Great. We found the one group of people more hateable than bratty law school students… Countrywide mortgage loan officers. What a nexus of suck.

Instead, Mr. Wallerstein rented a spacious apartment. He also spent a month studying in the South of France and a month in Prague — all on borrowed money. There were cost-of-living loans, and tuition of about $33,000 a year. Later came a $15,000 loan to cover months of studying for the bar.

Oh, he actually did the right thing! Way to pay attention in those ethics classes! But wait, then he went and rented a huge apartment and dicked around in Europe. What kind of “studying” can a law student accomplish in France in only one month? Is this actually part of the curriculum? Are we training lawyers in how to make a fucking salade nicoise now?

Today, his best guess is that he should be sending $2,000 to $3,000 a month in total, to lenders that include Wells Fargo, Citibank and Sallie Mae.

“There are a bunch of others,” he says. “I’m not really good at keeping records.”

Good. I hate when my lawyer bothers to do stupid shit like “keep records.” Keeping records is for gay-ass bitches. Fuck that. I’d rather hire a lawyer who knows his way around the hostels of Prague.

AS a student, Mr. Wallerstein assumed that the very scale of law school — all the paperwork, all the professors, all the tests — implied that pots of gold awaited anyone with smarts, charm and a willingness to work hard. He began to doubt that assumption when the firm where he had interned told him that it hadn’t been profitable for two years and could not offer him a full-time job.

Well, the assholishness is strong in this one, but don’t forget his delusional side! But now is where we get to my absolute favorite part of the article, when Wallerdouche really brings it all together….

MR. WALLERSTEIN, for his part, is not complaining. Once you throw in the intangibles of having a J.D., he says, he is one of law schools’ satisfied customers.

So yeah, obviously he’s quite the sympathetic victim of the unscrupulous law schools.

“It’s a prestige thing,” he says. “I’m an attorney. All of my friends see me as a person they look up to. They understand I’m in a lot of debt, but I’ve done something they feel they could never do and the respect and admiration is important.”

This guy is $250,000 in debt and works a crappy document review temp job and yet he’s STILL convinced all his friends look up to him. Like I said… don’t ignore this guy’s ability to delude himself.

Unless, somehow, the debt just goes away. Another of Mr. Wallerstein’s techniques for remaining cool in a serious financial pickle: believe that the pickle might somehow disappear.

“Bank bailouts, company bailouts — I don’t know, we’re the generation of bailouts,” he says in a hallway during a break from his Peak Discovery job. “And like, this debt of mine is just sort of, it’s a little illusory. I feel like at some point, I’ll negotiate it away, or they won’t collect it.”

He gives a slight shrug and a smile as he heads back to work. “It could be worse,” he says. “It’s not like they can put me jail.”

Now far be it from me to take an overly moralistic view of debt. I consider defaulting on a debt to be an economic problem, not a moral one. But knowing what we know about this guy’s reasons for going to school, his desire to live in a big apartment near the beach, the European vacations and his complete lack of a viable career path…. I nominate for the title of Mr. Wallerstein America’s Least Sympathetic Student Debt Story.

(I think this story won the title in 2009.)

The best new songs that sound like old songs

Ok so we’re stretching the definition of “new” to basically be anything made in the past five years. Here are a bunch of retro-ish songs I like. That’s all. Enjoy.


“Baby” by Phenomenal Handclap Band
Someone listened to a lot of: Donny Hathaway


“Your Magic is Working” by Of Montreal
Someone listened to a lot of: Donovan


“Mark of the Unnamed” by Budos Band
Someone listened to a lot of: Fela Kuti


“Do It” by Daddy’s Favorite
Someone listened to a lot of: Booker T & The MGs


“Attack of the 60 Foot Lesbian Octopus” by Does It Offend You, Yeah
Someone listened to a lot of: The Clash


“Bang Pop” by Free Energy
Someone listened to a lot of: Edgar Winter Group


“The Merkin Jerk” by Javelin
Someone listened to a lot of: Traffic


“I Been Born Again” by Phenomenal Handclap Band
Someone listened to a lot of: Eric Burdon and The Animals


“Who Fingered Rock ‘n Roll” by Cornershop
Someone listened to a lot of: Bachman Turner Overdrive


“Tomato in the Rain” by Kaiser Chiefs
Someone listened to a lot of: Cream


“Mushrooms and Roses” by Janelle Monae
Someone listened to a lot of: White Album-era Beatles


“Fool For You” by Cee-lo Green
Someone listened to a lot of: The Isley Brothers

Know your motorcycle slang

Have an eccentric uncle who fixes up old two-stroke Yamahas? Does your husband/boyfriend frequently escape the house on Saturday afternoons to go tearing off on his BMW?

If so, here’s a quick glossary of slang so that you can sound more like a real rider and less like a typical dumbass cager.

ape-hangers – huge handlebars that require you to hold your hands up extremely high. ONLY ever acceptable on a custom chopper, but even then they’re awful because it makes the bike virtually impossible to handle with any precision.

beemer – a BWM motorcycle. Not to be confused with “Bimmer” car. The motorcycle of choice for geeky types. The tech guy at your office probably has one.

busa – The Suzuki Hayabusa. This is basically the fastest production bike on the market for the past 8 years or so. Extremely popular with guys who like putting fluorescent blue lights and huge shiny wheels on their rides.

butt jewelry – What sportbikers call Harleys and choppers due to all the pointless chrome-and-tassle shit they bolt onto their bikes.

cafe racer – A 1960s British term for kids who would strip down their bikes and hot rod them so that they could race from cafe to cafe. Think Rockers in the whole rockers vs. mods battles. These are basically the coolest motorcycles on the planet. Everyone will love you if you show up to bike night on an old cafe racer.

cage – A car.

cager – A car driver. As in, “that goddamn brainless idiot cager should have his exhaust pipe shoved up his ass.”

chicken strips – the narrow strips of fresh rubber at the edges of the tires. The less you have the bike leaned over, the wider the chicken strips.

get-off – A euphemism for a crash. No motorcyclist has EVER just crashed. It’s always a get-off, or he had to “lay ‘er down” or something.

gixxer (pronounced “jixxer”) – The Suzuki GSXR line of sportbikes. They are inexpensive and ridiculously fast, so they’re extremely popular with 19-year-old kids who ride like maniacs (see “squids”).

Hardley-Ableson – Derisive nickname for a Harley-Davidson. The key to understanding the two-wheeled world is that H-D guys ONLY love H-Ds and people who ride other brands universally DETEST the slow, heavy, ill-handling Harleys.

lump – The motorcycle’s engine.

naked – A style of bike that has no plastic bodywork (called fairings).

performance award – A speeding ticket.

pillion – This one can mean either a passenger riding on the back of the bike or the back seat itself.

pirate – Ever notice how Harley people dress in silly black leather outfits with skulls all over them? Exactly. ARRRRGH, MATEY.

pudding bowl – The stupid little barely-legal bowl-shaped helmets that pirates wear in helmet-law states. They offer absolutely no protection, so if anyone ever offers you a ride and hands you one of these, politely decline and insist on a full-face helmet, which protects the face, jaw and back of the head.

Rossi wannabe – Valentino Rossi is the 8-time world champion of grand prix motorcycle racing, so he’s basically the sport’s Michael Jordan and one of Europe’s most famous athletes (seriously). If you see someone tucked way over trying to get his knee down on the street like he’s in a race, you can call him this.

scooter – NOT a scooter. A scooter is a motorcycle. Ok, scooters are also called scooters but you can refer to your motorcycle as a scooter. Some bikers call themselves “scooter trash,” which kind of makes you sound like you’ve watched too much “Easy Rider.”

smoker – A two-stroke motorcycle. The EPA effectively banned two-stroke bikes, but they were huge in the 70s and 80s and are known for producing huge clouds of blue smoke and a noise that can best be described as a billion angry bees.

the slab – Any super-highway. To be avoided if at all possible because highways are incredibly boring on a bike.

sled – A motorcycle. See “scooter.”

splitting – Also called lane-splitting, filtering or white-lining. This is riding in between two lanes during traffic jams. It’s legal in California and every other country in the world besides the U.S. It’s actually safer than sitting in a lane during stop-and-go traffic because it lowers the risk of a rear-end crash. Plus it uses the roads more efficiently. If you ever see motorcyclists riding up toward you in between the lanes, give him/her a few inches. You’ll get to your destination just as fast.

squid – A squid is a dangerous, young sportbike rider. Think wife beaters and flip-flops and Gixxers. There are about a billion different theories for where the term squids came from. I like to think it’s an acronym for “Stupid Quick Until I’m Dead,” but it also may have come from the nickname for all the Navy sailors riding around San Diego. If you’re riding with a buddy who’s taking risks and riding fast, you can even call him “squidly.”

the twisties – Twisty roads.

The 10 Most Underrated Musical Instruments

Didn’t think we’d stoop so low as to use listicles to whore ourselves out for pageviews?

THINK AGAIN, CRAZY PERSON.

Personally, I love listicles. I love packing information in Top 10 List form. I want my medical history to be a listicle. I want my last will and testament to be delivered in listicle form to my descendants. So if you don’t like listicles and think they’re cheap and tacky… you can go enjoy yourself over at C-SPAN’s website or something.

So anyway, here are my Top 10 Most Underrated Musical Instruments. This is all very scientific, so don’t even try to argue with my findings.

1. The hi-hat

The hi-hat wasn’t even invented until the 1920s, which makes it among the youngest of all percussion instruments. The hi-hat is basically two cymbals mounted on a rod. A spring keeps the two cymbals pressed together until the drummer presses a foot pedal to lift the top cymbal. The hi-hat can make both an “open” hat and a “closed” hat sound.

Here’s Max Roach playing nothing but the hi-hat.



and here’s Buddy Rich….



2. The Hammond B3 Organ
The Hammond Organ was invented in the 30s and marketed to churches as a low-cost alternative to traditional pipe organs. The Hammond uses a system of tonewheels and electromagnetic pickups to make its sound and despite many, many, many attempts to copy its sound electronically, most purists feel there’s just no substitute for the sound of an authentic B3. The instrument is all over rock music, soul, jazz, blues… basically EVERYTHING made between about 1963 and 1980.

Here’s Billy Preston shredding on the B3…



3. The lap steel.
The lap steel is a type of guitar that’s played with a metal slide instead of having the strings pressed down onto the neck. According to Wikipedia, it may have been invented in 1885 when some guy started playing his guitar with a railroad spike, then a knife blade. I hope this is true, because that’s just badass. The lap steel is probably most associated with the country/western twang, but it’s also used in a lot of gospel, jazz, blues and rock.

Here’s Robert Randolph covering “Billie Jean”… on the lap steel… seriously.



4. The vibraphone.
I mentioned the vibraphone in my post about Roy Ayers. The vibraphone uses aluminum bars and electrically-powered resonator tubes to get is signature mellow sound. The thing I love the most about the vibes is that the act of actually playing the instrument is so expressive and physical. It’s just huge fun to watch.

Here’s “King of the Vibes” Lionel Hampton…



5. The steelpan.
The steelpan is sort of distantly related to a lot of other Afro-Caribbean percussion instruments but the modern steelpan really came about when it was invented in Trinidad in the late 40s using 55-gallon steel drums. Technically, the steelpan is not a drum but an idiophone, since it doesn’t have a membrane like a drum does. And although the steelpan is sort of lazily associated with tourist-friendly resort calypso, you really need to check out the huge Trinidadan steel bands to hear what it’s capable of.

Here’s a steel band perfroming at Trinidad’s carnival….



6. The harpsichord.
The piano really did make the harpsichord its bitch for the past few hundred years. It’s too bad, because the harpsichord, which plucks rather than strikes the tuned strings, is one of those instruments that instantly makes you feel like European royalty… either that or you’re about to be involved in some kind of creepy Eyes Wide Shut masquerade sex orgy.

Here’s Sonata in D minor by Domenico Scarlatti, played on a modern harpsichord (I have no idea whether this is considered good classical music or not, but my ears like it)…



7. The marimba.
The marimba is very similar to the vibraphone, except it’s not electrically amplified and it uses wood bars instead of aluminum ones. The instrument is probably based on much older African instruments, so it’s one of those truly primal sounds that humans have evolved alongside over centuries. I love that.

Here’s Brian Jones playing the marimba on “Under My Thumb” by the Stones…



8. The Minimoog.
The Minimoog is an analog synthesizer that was first released in 1970 (though the technology it uses is a bit older). The idea behind the Minimoog was to make a synthesizer that was portable, since early synths were basically the size of a fucking Volkswagen. Sun Ra and Keith Emerson were among the first to use Minimoogs on stage.

Here’s “Metropolis” by Kraftwerk…



9. The timbales.
Timbales are cuban drums that are tuned extremely high and placed up high so that the player stands while performing. They can be played ridiculously fast and it’s almost impossible to not want to dance when hearing timbales played. Why the hell don’t you see more non-latin musicians playing them? What a historically underutilized instrument!

Here’s “El Rey Del Timbal” Tito Puente performing with Sheila E (seriously, how fucking cool are these two?)…



10. The Jew’s harp.
The most politically-incorrect instrument name of all time? Maybe. Especially since, the Jew’s harp has absolutely nothing to do with the Jewish people. (It was probably invented in central Asia.) You can call it a “jaw harp” if you prefer. The Jew’s harp is also one of the world’s oldest musical instruments and definitely one of the weirdest-sounding. It’s a reed attached to a metal frame, which is then bit down on with the player’s teeth and plucked with the finger. I think I would injure myself playing this thing.

Here’s Roger Daltrey playing it at the very beginning of “Join Together” by The Who….


Get to know: Roy Ayers

You’ve probably listened to Roy Ayers, even if you don’t realize it. After James Brown and maybe a few others, he’s probably among the most-sampled musicians of all time. 50 Cent, Mary J. Blige, A Tribe Called Quest, Digable Planets and just about every single house producer who ever came long have all used Roy Ayers samples.

You should know who Roy Ayers is.

So who is he? Well Ayers is hugely famous for being one of the greatest-ever players of the vibraphone (which is not the same as a xylophone). According to his biography, he grew up in what is now South Central Los Angeles and got his first pair of vibraphone mallets at the age of five…. as a gift from Lionel Fucking Hampton. Basically, Ayers was born to play music. It was his destiny.

So he started off in jazz and then the 70s came around so he mixed soul music, funk and disco into his sound. The rest is history. Since then he’s played alongside Chaka Khan, Fela Kuti, The Roots, Erykah Badu and probably dozens of electronic dance music producers. He’s ubiquitous and there could be no modern neo-soul music without him. And while he’s still hugely popular around the world and he’s still touring quite a bit, here in his own country I feel like we’ve forgotten about him a little bit. (We have a nasty habit of doing that.)

So here are 10 Roy Ayers songs to enjoy…


“Running Away” (Live)
Roy’s most famous song, this is jazz music that you can let loose to. It’s such fun, fast, alive music. Plus I love the guitar solo at the end, and Roy’s energy on stage is perfect. One of the YouTube commenters said it best: “This is where Jamiroquai got their sound.”


“Searching”


“Everybody Loves the Sunshine”
Underground California soul music with lovely synthesizers and great vocals. A perfect beach song… for people who like to eat a box full of pills before going to the beach.


“Can’t You See Me?”


“Love Will Bring Us Back Together”
A brilliant slab of disco funk with a squiggly little keyboard riff. I love one YouTube commenter’s take on this song: “i know, i know, i’m an old head, but gather round you younguns and let me tell you about a time when THIS kind of music played at house parties…. picture it, 1979 when i was 18, no guns, no gang violence, girls (most of the time) acted like ladies, cars were made of steel, songs spoke of love, (not bangin’ that thang), and people knew how to communicate…now put down that damn x-box, listen to this & learn something….know-it-all-whipp­er-snappa !”


“Change Up The Groove”


“Battle of the Vibes” (Live)
Here’s a 1988 concert where Roy and his percussionist do a little battle on the vibraphone. This is magic. Makes me wish I paid attention when they had us banging on glockenspiels in the fifth grade. Also, if you ever get invited over to Roy’s House for an impromptu jam session (hey, it could happen), remember to bring a towel. Don’t be sweatin’ on the man’s vibes!


“2000 Blacks Got To Be Free”
In 1980 Roy teamed up with Fela Kuti to give us this little slice of amazing funk. The horns are all Fela’s style but the spoken-word vocals are all Roy.


“Aragon”
This one was on the soundtrack to “Coffy,” with Pam Grier. So basically it can’t get much cooler than this.


“Get On Up, Get On Down”

Bob Marley is dead: Dancehall reggae of the 80s and early 90s

Jamaica in the 80s and early 90s was a tough place. OK, I wasn’t there, but the country was certainly facing a lot of challenges. By 1982, the spiritual godfather of reggae, Bob Marley was dead. Peter Tosh would be brutally murdered in 1987. In 1980, after years of left-leaning governments, the Reagan-allied Edward Seaga took over as prime minister and the political violence would continue for much of the next 30 years. Meanwhile Jamaica’s economy was decimated by cocaine-related violence, high inflation and IMF-mandated austerity measures.

But despite all that misery, Jamaica, the tiny little island, truly grew into a world superpower when it came to music. Here are some tracks from the first post-Bob generation of Jamaican dancehall performers. This isn’t a canon, just a small selection of songs I like. So turn up your subwoofer…


“Diseases” by Michigan and Smiley – 1982


“Zungguzungguguzungguzeng” by Yellowman – 1983


“Police in Helicopter” by John Holt – 1983


“Under Mi Sensi” by Barrington Levy – 1984


“Herbman Smuggling” by Yellowman and Fathead – 1984


“Here I Come” by Barrington Levy – 1984


“Under Mi Sleng Teng” by Wayne Smith – 1985


“Agony” by Red Dragon – 1988


“Murder Dem” by Ninjaman – 1989


“The Herb” by Tony Rebel – 1990


Nicodemus and Super Cat perform live in New York – 1990


“Dem No Worry We” by Super Cat – 1992


“You Don’t Love Me (No, no, no)” by Dawn Penn – 1992