Getting Into The Chicago Code

In the era of serialized television, where every drama has to give us a tight narrative that builds up to a singular climax I have forgotten about the procedural drama, particularly cop shows. Many say that watching five seasons of The Wire ruined other shows like Law and Order for them, because the former attempts to ground us in reality as much as possible where good does not trump evil and storylines don’t end in neat packages. On the other hand, not all television has to be jam-packed with so much plot that it can be likened to a novel. The goal is to be entertained, so when I saw the aggressive promos for the new Fox drama The Chicago Code I made sure to hop on.

The Chicago Code is the brainchild of Shawn Ryan, who is only the creator of the second greatest crime drama of all-time, The Shield, which was also integral in paving the way for basic cable networks to push scripted dramas that dealt with heavier fare. So there was a good amount of hype and expectations that this show would live up to that standard of excellence, despite being on a Big Four network. Does The Chicago Code deliver on these expectations? Well, kind of.

The show follows the exploits of three major characters. Chicago Police Department superintendent Teresa Colvin (Jennifer Beals), CPD detective Jarek Wysocki (Jason Clarke), and corrupt Chicago alderman Ronin Gibbons (Delroy Lindo). The main premise is that Colvin forms a secret task force to bring down Gibbons. However, the show relies on a “case of the week” format and attempts to tie them in to the main arc. It also makes heavy use of voiceover narration, which is a sticking point for a lot of people. Not trying to compare the two, but the voiceovers are more similar in style to Goodfellas than say, Dexter, but it’s a love/hate aspect of the show. I don’t think they are a crutch but that seems to be a minority opinion. The more glaring negative is hammy, cliche dialogue. The show is shot on location in Chicago (more on that later) and it’s obvious the writers want to let us know that we are in the motherfucking Chi. The pilot has one too many Chicago Cubs/White Sox references, and over the top lines like “YOU THINK YOU CAN CHANGE THINGS IN CHICAGO?!” I’m also not sold on some of the actors, namely Billy Lush who plays a mole inside the Irish Mafia.

On the plus side, the show is beautifully shot for a network drama. I may be biased but the directors take full advantage of their photogenic location with drawn-out car chases and aerial shots. Jennifer Beals may be the most unrealistic choice ever to play a police superintendent but she does a fine job, even though as a native Southsider she manages to sound like a Masshole. Delroy Lindo does a great job of chewing scenery and acting like a mix between Harold Washington, Rev. Jesse Jackson and Mayor Daley. The show sets him up as an evil genius and so far he’s up to the task. I’m still not sold that we will get a huge payoff on the main corruption storyline, but the show is certainly enjoyable enough on a weekly basis that I keep watching. Those looking for intricate storytelling should probably just watch The Wire again, but if you’re a fan of Law and Order and shows of that ilk I highly recommend diving into The Chicago Code.

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