The Best Video Game Music You’ve Never Heard

With the recent success of the PLAY! concert series and a Grammy win for Civilization IV’s theme song “Baba Yetu“, it would seem that video game soundtracks are finally beginning to be taken seriously as music. But whether this heralds an era where video games themselves are considered a legitimate artistic medium on par with film remains to be seen. After all, the pieces of video game music that have received the most attention so far have been the classical and New Age-style compositions of Civilization and Final Fantasy rather than the iconic looping synthesized tracks that have long been admired by video game nerds, spawned countless remixes, and influenced and inspired various music subgenres.

It is the firm belief that these are just as deserving of recognition that inspired me to create this list. And while it would be pretty easy to throw together a list of the most well-known and acclaimed pieces, I wanted to highlight some amazing tracks you may not have heard from some rather obscure games, lesser-known sequels to classics, and Japan-only exclusives. In the spirit of my own generational prejudices, I’ve also attempted to limit the list to games from the nineties. Some of these games are great, others are laughable, but all of them are rockin’.

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10. Captain Commando: Enemy Spaceship

Conceived as a brilliantly cheesy homage to classic pulp sci-fi and B-movies, this Capcom beat-em-up featured a mummy, a ninja, a mecha-piloting baby, and the titular Captain fighting hordes of scuba divers, aliens, cross-dressing samurai, mad scientists, and fire-breathing homeless people. This invigorating track follows the common trend at the time of video game composers mimicking the sounds of progressive rock and 80’s metal, which is a pretty good fit for walking down the city streets and beating the crap out of everything you see.

9. Skyblazer: Storm Fortress of Kh’lar

Aside from being one of the best games on the Super NES that no one played, this criminally overlooked action-RPG was one of the few games of the time to utilize a Middle-Eastern motif, which made for some amazing boss monsters and a uniquely beautiful score, particularly here and in the end credits.

8. Alisia Dragoon: Stage 1

This beautifully designed game was animated by a little studio called Gainax, later responsible for a little series called Neon Genesis Evangelion. Although the repetitive and limited arcade-style gameplay didn’t quite live up to the quality of the art, ethereal fantasy-themed tracks such as this one did wonders for the game’s atmosphere.

7. The King of Dragons: Cave of Hydra

The music in this completely cliched and thoroughly enjoyable fantasy hack-and-slash is exactly what you’d expect, which is to say it’s awesome medieval-style fanfare that will make you want to draw your sword and charge forth into battle.

6. Gourmet Sentai Bara Yarou: EXBunny

In this bizarre game that only the Japanese could make, an odd assortment of flamboyant villains has taken over the world’s food supply, and you must defeat their hordes of walking light bulbs and giant heads that sneeze on you in order to obtain ingredients that you will then give to your robot cook to turn into delicious meals. Here I am fighting a playboy bunny that turns into a power ranger that turns into a giant tanuki, complete with giant testicles, all set to a keyboard-laden speed metal soundtrack. There isn’t much more I can say about this.

5. Eternal Champions: Character Bios

Some of you may recognize this track as the one sampled by a certain Bone Thugs-n-Harmony in their song “Eternal“. In fact, they loved this game so much that they sampled another track from it for the more well-known “Crossroads“. Not only was Eternal Champions chock full of great tunes, but it boasted a great storyline, unique characters, a complex fighting system, and a Sega CD remake with gruesome fatalities that made Mortal Kombat look like Sesame Street.

4. Streets of Rage 3: Yamato

While the first two Streets of Rage games are considered Sega classics, few cared for this final installment, released late in the 16-bit era and lacking the stylish spark of its predecessors despite having superior graphics and a wider variety of moves. One of the main targets of criticism was acclaimed composer Yuzo Koshiro’s decision to shift to a more aggressive electronic industrial sound rather than the upbeat and melodic club disco tracks that had made the first two games so memorable. Nevertheless, there are a few gems in here, such as this killer Japanese-flavored techno track that serves as the theme for one of the game’s most annoying bosses.

3. Segagaga: Final Battle, Part 2

If you so much as think about making a Lady Gaga joke, I will end this article right now. I’m not kidding.

A strangely prophetic game released in Japan shortly before the Sega Dreamcast’s unfortunate demise, this simulation RPG has the player attempt to guide a failing Sega Corporation back to market dominance, though I’m not sure why that would involve blasting your own company’s gaming systems. Anyway, this sweeping neoclassical metal track was originally written for the cancelled Dreamcast release of Thunderforce VI, later released on the PS2. Listen to this every morning when getting out of bed and be inspired by the notion that even if you fail in your endeavors, you probably won’t fail as badly as Sega’s last two consoles.

2. Guardians/Denjin Makai 2: Stages 1 and 2

Both the best and most obscure game on the list, this stylish mid-nineties arcade beat-em-up boasted seven selectable characters and more combos and special moves than any fighting game of the time. The stage 1 and stage 2 BGMs at 0:14 and 3:35, respectively, perfectly complement the insanely fast-paced futuristic anime-style gameplay with dueling guitar harmonies and wailing crescendos.

1. Golden Axe 2: Boss Theme

Though this console-only sequel failed to attain the classic status of its predecessor, it was an improvement in almost every sense, including the soundtrack. This hair-raising boss music will immediately make you dread the coming battle. The only drawback is that they will probably never make a boss epic enough to deserve this dramatic an introduction.

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Well, that’s it. I hope you enjoyed reading this list as much as I enjoyed making it. Just remember – no matter how good these tracks are on their own, they are almost always better combined with the sounds of you kicking the enemy’s ass.

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